A Quote by Ron Howard

From when I was a young boy, I wanted to be the first person to direct a movie at 100. — © Ron Howard
From when I was a young boy, I wanted to be the first person to direct a movie at 100.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
If we got $100 million dollars to make a movie, I don't know if we should be making a $100 million dollar movie our first time out.
I wanted to direct when I was very young. I had no idea of cinema, of who's doing what. That was my first instinct: "Okay, I want to be the boss."
Paul Gascoigne was one who I watched as a young boy. He was a hero to all of us really. Chris Waddle was one for me too, just because of where I grew up. Where I'm from, he was somebody who was representing England and playing in the Premier League, and as a young boy I always wanted to do both.
The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.
For my first movie, I think my first cut was like three hours, because when you first direct a movie, you want to keep everything. But I'm not one of those directors who falls in love with the stuff they've done. Already when I'm doing my first cut, I'm willing to cut out everything that is necessary.
I didn't want to make Young and Beautiful as very dramatic movie . In a certain way, I wanted to do a girly film. I wanted to make something sweet, pink. With a boy it was too dramatic and too heavy. I had a lot of pleasure with the boys in In the House, I said, "This time I will do a film with girls."
I was going to direct the movie 'Training Day', and I got fired. Denzel Washington didn't want me to direct the movie.
When I was young, I was an academically oriented guy like most academically oriented guys. I graduated in science, did an MBA. My dreams as a young boy were I wanted to be an industrialist, or I wanted to be a scientist.
I think you first have to feel 100% comfortable with the person that you are with. I have written in sessions where I am just meeting the person for the first time and it is extremely difficult.
When I was a young boy I wanted to play for Newcastle United, I wanted to wear the number nine shirt and I wanted to score goals at St James' Park. I've lived my dream and I realise how lucky I've been to have done that.
Mysticism, according to its historical and psychological definitions, is the direct intuition or experience of God; and a mystic is a person who has, to a greater or less degree, such a direct experience -- one whose religion and life are centered, not merely on an accepted belief or practice, but on that which the person regards as first hand personal knowledge.
I'm not a boy-writer, I've never been. I wanted to be a boy-writer when I was young, and I think that held me back. I wanted to be very clever, and funny, but I'm not very clever and not terribly funny. I've finally accepted my limits, and I do what I can do.
I have always wanted to make a movie, in fact I always wanted to direct someday. But I never thought I would be a producer.
It's been nice not having a boyfriend. I could be in a relationship if I wanted to be, but I haven't finished doing what I'm doing. I like boy, a lot. I'm boy crazy. That hasn't changed since I was very young.
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