A Quote by Ron Howard
When I realized that my big dream was going to come true - 'Night Shift' was a success, 'Splash' was a success, I got the job to do 'Cocoon' - suddenly, I was underway. And I knew my name was rising up the lists. I was going to have a career. I was going to be able to direct movies until I screwed it up.
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I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
I started in TV movies and then had success in my move to features with 'Night Shift' and 'Splash'.
I started in TV movies and then had success in my move to features with Night Shift and Splash.
Other than a couple of moments in time, I always thought that, some way, I'm going to make it. I'm just going to make it. And I'm not going to give up. And I'm going to realize that dream. So, I never gave up. And I have realized the dream, and I enjoy every moment of every day.
If somebody's getting depressed in life, I would say, 'Look at me'.
I've got here believing in me. Sometimes, things do not go as you expected and you could feel as if you were ruining everything. But Everything can be only the path to get to the success of your dream.
You can not fail until you give up. As long as you keep going, you are on the path for your success.
What is so liberating about this whole business is when you see that, you know, big movies are going to come out, huge movies are going to come out, and then you see them up in Malibu in the little Triplex theater a week later, on the scratch negative, and you think...“This is show business. This is the great movie career. And it’s all finding it in the shoebox.”
People think my career started when I sent that tape to Renaissance. I’d actually been working hard for seven years before I got to that point. I was putting on parties and booking DJs around me to get my name on the flyer. I knew I had to do it for myself. I knew no one was going to come knocking on my door. I knew it was up to me.
My dream was to go to Syracuse. I wanted to be a part of the Orangemen. I actually thought I was going there up until around 10th grade when I knew that wasn't really going to happen, so I started pursuing rap.
Ideas come mostly bottoms-up. They come when you have a free flow of ideas and you have people able to combine multiple ideas into one concept... And you've got to have competition, too. You've got to say, 'We're going to have 10 different ideas, nine of them are going to fail, and the one that does the best is going to move forward.'
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
Life is a slope. As long as you're going up you're always looking towards the top and you feel happy, but when you reach it, suddenly you can see the road going downhill and death at the end of it all. It's slow going up and quick going down.
I grew up in Hollywood during WWII, and my mother was afraid that my father was going to be drafted because she didn't think we were going to be able to live on army pay. She didn't want to have to get a job, so she decided to put me to work, and that's how I got started in the movies.
Failure is not the opposite to success, it's a stepping stone to success. If our primary goal is to be approved of, then we are not going to take risks, we are not going to speak out, we are going to try to blend in.
When I joined the project, we always knew that Loki and Sylvie were going to go to He Who Remains, and the multiverse would be released. So I already knew when I got the job that it was going to be a massive undertaking to do that and a big responsibility for Marvel to get it right.
I came to understand and observe that we're all going to face obstacles. We're going to have challenges. We're going to fail. We're going to have success. But all of it is going to ultimately be character-building. And it's not going to deter us from wanting to achieve, to strive, and be successful.
I'd like the campaigning to be about all the things they're not going to do. Just tell me what you're not going do! Don't tell me what you're going to do. Just say "I'd really like to do solar energy but I'm not going to be able to. I really want to dig holes everywhere in the country but I really won't be able to do it because people seem to think that maybe my water will be screwed up."
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