A Quote by Ronald A. Heifetz
The activity of interpreting might be understood as listening for the 'song beneath the words.
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The words of the scholar are to be understood. The words of the master are not to be understood. They are to be listened to as one listens to the wind in the trees and the sound of the river and the song of the bird. They will awaken something within the heart that is beyond all knowledge.
People ask me this a lot, what a song's about.... I do think analyzing a song can be interesting, although it doesn't necessarily get to the point. It's a whole other side activity. I do like making a thing into pictures. If I get an abstract idea and all the words in it don't represent tangible things, I might try to take the idea and make it into a picture, create a little scene there, an image.
When you're given a song, it's my job to record the lyrics, story and emotion, and make everyone who is listening to the song believe that it was my words and experience.
I have the most eclectic music taste out there. I can be listening to an indie pop song just as easily as I could be listening to a Carly Simon song from the '70s to a country song.
When you listen to the music, you see little movies in your head, and that's the beauty of it, I think. People can make up their own stories. They don't necessarily have to know exactly what each song is about. It's their way of interpreting of interpreting different feelings or emotions.
To listen fully means to pay close attention to what is being said beneath the words. You listen not only to the 'music,' but to the essence of the person speaking. You listen not only for what someone knows, but for what he or she is. Ears operate at the speed of sound, which is far slower than the speed of light the eyes take in. Generative listening is the art of developing deeper silences in yourself, so you can slow our mind's hearing to your ears' natural speed, and hear beneath the words to their meaning.
When a poem might become a song, then certain parts are repeated and might become a refrain or a chorus, so they change in that way. But it's more the nature of the words and what they're saying that determines whether it's a poem or a song.
..the fields might fall to fallow and the birds might stop their song awhile; the growing things might die and lie in silence under snow, while through it all the cold sea wore its face of storms and death and sunken hopes...and yet unseen beneath the waves a warmer current ran that, in its time, would bring the spring.
Every song I ever wrote, I wrote to be heard. So, if I was given a choice that 50 years from now I could either have a dollar or knowing that some kid was listening to my song, I'd go with the kid listening to my song.
It was Silver's voice, and before I had heard a dozen words, I would not have shown myself for all the world. I lay there, trembling and listening, in the extreme of fear and curiostiy, for, in those dozen words, I understood that the lives of all the honest men aboard depended on me alone.
The hardest part is writing a song as a story. A song is so short and there are only so many words that every line has to hit. The words have to flow. You can't say certain words that sound weird next to each other, you can't repeat words too much.
Words are important to me, but a song can work and function and be a good song with words that are fairly standard. But really great lyrics can't rescue a dog of a song.
Is there anybody listening? Is there anyone who sees what's going on? Read between the lines, criticize the words they're selling. Think for yourself, and feel the walls become sand beneath your feet.
Listening is selecting and interpreting and acting and making decisions.
A good tracker is interpreting all the time, from every little sign, you know? Not just interpreting the age of the tracks but also: Is it wounded? Is it hungry? A good tracker is interpreting a lot.
Folk songs are evasive-the truth about life, and life is more or less a lie, but then again that's exactly the way we want it to be. We wouldn't be comfortable with it any other way. A folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who's playing and who's listening.
