A Quote by Rory Gallagher
I could bear being in the charts and being on everyone's car radio 10 times a day. I'm just terrified of... a lot of people I respect have done it with a real little 'ditty' and that was the end of it - that was all they were ever known for.
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I think the reason that a lot of people have to have a lot of people around is just about being smart and knowing what you want to talk about. I want people to know who I am. Respect is a huge thing - especially in my family. ... If you don't respect people, people aren't going to respect you back. It's just about yourself, you respecting others, and hopefully everyone else will follow that and respect you, as well.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
When London first went into lockdown, Mum and I were in the car listening to the radio. We drove to our local Turkish supermarket and saw queues around the building. Everyone looked terrified. I burst into tears when I got home.
I fell in love with you," he said, "because you were one of the bravest people I've ever known. So how could I ask you to stop being brave just because I loved you?
College radio is a very important medium that needs to survive in difficult economic times when some stations are being sold off and shut down. College radio is the future for broadcasting stars and pioneers of tomorrow, and we as a band, Coldplay, support the vital mission of college radio and we also support College Radio Day, the day when college radio comes together.
I figured if I could put together being funny about stuff and actual events, maybe I could do something that wasn't being done much. Because the reporters that I met out there were funny, and they had hilarious stories that just didn't fit in the AP/UPI/New York Times foreign-correspondent style. They couldn't use the things they had. But I could.
It wasn't glamorous in my day. In the regions, reporters were seen as such low life that they didn't merit their name in the Radio Times. Now people are interested in being famous. I never gave it a thought.
There are a lot of composers who were fantastic, but I challenge them to write a record that you could play five times a day for two months on the radio, songs that people will want to dance to on a Saturday night.
Movies principally require the best of everybody, all at the same time, being the best they can be. Not just like five people being the best they've ever been, and 10 people not being the best they could be. It's like if everybody is either doing their greatest work, or the whole house of cards falls apart.
I don't mind at all being approached when I'm 10 or more feet away from the car. If I'm anywhere away from the car, I'm fine. That's completely expected. But when I'm next to the car or within 10 feet of it, I'm thinking about that or working in that direction. And that's just something I'd rather be able to work on than be interrupted, really, by anybody.
I was known for being talented, but I was still the fat girl. And it wasn't what people were looking for. There's a lot that you hear. There's a lot of cruelty out there. Some of it comes from the executive offices. It comes from other artists at times. It was a very difficult thing to overcome.
[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.
I'd be at someone's house or be up on the roof all day and I'd get lonely - stir crazy - and talk radio became this soothing voice in my life. But the idea that I was making $10 an hour and stacking drywall while these guys were making a few hundred thousand, and they were having a party, and there were Playmates and there were good times, I just couldn't imagine it.
Women face a lot of challenges every day - we have to stand firm in our walk and our intentions - but there are times when that weight feels too heavy, feels like a load that I just can't bear that day. I try to work through that in my art, whatever medium that might be. My live performance is based around the color red, and all the things that communicates as a woman to the world - fiery, really vocal, present, almost a kind of stubborn color - and redefining it as being very complex. Being able to express that complexity, I'm getting a lot better at that the older I've gotten.
I don't want to ever say to somebody, 'You don't have to see it. It's not good.' I'm done with that. I'd love to just do things that I respect. That being said, I do have two children to put through school, so we'll see if I can put my money where my mouth is, but I would love to just work with people I respect.
I think '60s are appealing to creative people, because it seemed to be a time of endless possibilities, when the boundaries of what could be considered popular culture were being expanded almost by the week. It doesn't feel like that anymore. At times, I wish it were so. Radio is a perfect example; good God, I mean, back then the most interesting songs were also hits, and that's just not true anymore. It hasn't been true in a long time.
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