A Quote by Rory Kennedy
I never aspire to be objective because I don't believe in objectivity. It's important to be truthful, and it's important to make sure that the audience has a solid sense of what the expectation should be of a particular film.
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Pride or ego is not important to me. What is more important is common sense, the welfare of the company, and the objective reality that we need to be cautious during difficult times. One should not make decisions based on emotions or ego.
I believe thrillers work if the story is good. It is not easy to make a thriller because the audience is making their own story in their minds as they watch the film. You have to break that expectation and still make them like the film.
When you criticize grown men, it's a lot easier. They make millions of dollars. They should be able to handle it, especially if you do it in a truthful manner... I'm sure it stings, but my whole objective is to be honest.
I think what's important for myself and anyone else who wants to create a film, or art, is [to] make sure that they have something to say, that they want to share something important, express something important.
I just write songs from the heart, and you never know who'll like the songs. I try to make sure that I don't allow anybody's expectation to weigh on me. I have my own expectation of life. I believe in letting people be free.
I don't believe that there's such a thing as objectivity in much of journalism, but I think there is a serious effort to and a regard for facts and into taking that stuff seriously is very important to the public discourse and it's very important to democracy.
I think the film is beautifully realised. His legacy as a journalist was recorded - as it were - well, and certainly the important issues of the '50s - or even today - are delivered and presented to the audience in a rather honest and objective way.
I knew that I was writing for an American audience and that if I sold foreign rights, they would retranslate the book to make it make sense to that language. But one thing that was really important to me was not to italicize any of the words in the languages that were in the stories, because I feel like those foreign words felt just as important and integral to the story as everything else, so I wanted it all to just exist as its own thing.
I believe the most important thing for the media is to be objective, fair, and balanced. We should not report a story with preconceptions or prejudice.
For me, I can't tell you if the film is good or bad, all I can say is for me the film is way better than I had expectation of us being able to make. So for me that's the most important thing. Have we exceeded our dream in terms of what it could be?
What is the truth is that every one of my films is a film that I'd love to go see, and I think that's very important because I always think it's a mistake to make movies for other people, or to make them for a demographic, or try to second guess an audience.
The timelessness is completely important. It's partly about removing things that would become in some way nostalgic. There aren't really any markers of time, like furniture or a particular style of shoe that denote a particular period or place. I think that's why I like the outdoors, because it removes a sense of time and I want the painting to feel timeless, because it increases that sense of omnipotence.
Like public surface in general, sewers are unbelievably important. They're so important that we make sure they work basically all of the time. Which is why you never think of them - that's kind of the point.
You are punished only when you are not performing as per expectation, and not because you belong to a particular religion, caste, or creed. Here, you fail because your vision is not right or you have not worked hard. That's why I believe we have true democracy in the film industry. How I wish the rest of the country was like the industry!
The audience's reactions are more important: if people believe in the love story, it's because they love how we've acted. That's the most beautiful award. It's very important for me, people appreciating what I do.
If I ever thought of directing again, I mean - I don't know, even the idea of directing a film is a strange one for me, because I feel kind of anti mathematics in a way in that sense. Anti - I don't like when things make sense, I prefer if they don't, so if I made a film, it wouldn't make any sense and no one would see it. So maybe I'll just make little films at home with my phone, never to be released.
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