A Quote by Rory MacLean

Shakespeare and Co dedicates itself to a shared, heady and outdated ideal that is scarce in our protective and fearful age. — © Rory MacLean
Shakespeare and Co dedicates itself to a shared, heady and outdated ideal that is scarce in our protective and fearful age.
The truth is, our civilization is not Christian; it is a tragic compound of great ideal and fearful practice, of loving charity and fearful clutching of possessions.
We need to reject not only outdated fossil-fuel technology, but also an outdated economic system and an outdated corporatist political system. The progressive view is that we are smart enough and ethical enough to not have to be subservient to corporations. We can create our own resilient, localized communities.
The spirit of an age may be best expressed in the abstract ideal arts, for the spirit itself is abstract and ideal.
If you are an atheist as I am, Shakespeare can be your ideal. Everything is within Shakespeare, especially in his 10 greatest plays. They have life, meaning, understanding, the whole lot.
Our age is pre-eminently the age of sympathy, as the eighteenth century was the age of reason. Our ideal men and women are they, whose sympathies have had the widest culture, whose aims do not end with self, whose philanthropy, though centrifugal, reaches around the globe.
Shakespeare, with an improved education and in a more enlightened age, might easily have attained the purity and correction of Racine; but nothing leads one to suppose that Racine in a barbarous age would have attained the grandeur, force and nature of Shakespeare.
When a gifted team dedicates itself to unselfish trust and combines instinct with boldness and effort, its ready to climb.
Stories bring us together. We can talk about them and bond over them. They are shared knowledge, shared legend, and shared history; often, they shape our shared future.
It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.
It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.
It's a tender and complicated dance, watching our parents age. We become protective in ways we never were before, and we study them with a mix of sadness and curiosity: Is this what we will be like when we are their age? We tell ourselves to be patient - just answer the same question again as if it wasn't answered a moment ago.
Our mission in this new century is clear. For good or ill, we live in an interdependent world. We can't escape each other. Therefore, we have to spend our lives building a global community of shared responsibilities, shared values, shared benefits.
What makes us Americans is our shared commitment to an ideal - that all of us are created equal, and all of us have the chance to make of our lives what we will.
God hides some ideal in every human soul. At some time in our life we feel a trembling, fearful longing to do some good thing. Life finds its noblest spring of excellence in this hidden impulse to do our best.
Perhaps the highest goodness attainable is a life of service to all mankind. Such an ideal is supported in nearly every page in the Gospels-the parables, the sermons, and the countless acts of service by our Lord Himself. The ideal is not limited to any particular kind of service, nor a given quantity of service. The ideal is accepting life itself as a trust to be used in the welfare of mankind. It is a life that is glad for the chance to be of any help, an attitude that 'service is the rent we pay for our own room on earth.' (Lord Halifax)
Shakespeare is global - of course he can be shared.
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