A Quote by Rosabeth Moss Kanter

Creativity is a lot like looking at the world through a kaleidoscope. You look at a set of elements, the same ones everyone else sees, but then reassemble those floating bits and pieces into an enticing new possibility.
The photographer sees the world as a child sees the bits of glass in a kaleidoscope. If he has a camera with which he can secure these ever-changing combinations, he is then able to look on them again and again, and he has the further pleasure of pleasing others with the sight of things which he, with perhaps unusual opportunities, was able to see, which his friends would otherwise not ever be able to.
There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations. We keep on turning and making new combinations indefinitely; but they are the same old pieces of colored glass that have been in use through all the ages.
Creativity is seeing what everyone else sees, but then thinking a new thought that has never been thought before and expressing it somehow. It could be with art, a sculpture, music or even in science. The difference, however, between scientific creativity and any other kind of creativity, is that no matter how long you wait, no one else will ever compose "Beethoven's Ninth Symphony" except for Beethoven. No matter what you do, no one else will paint Van Gogh's "Starry Night." Only Van Gogh could do that because it came from his creativity.
You were just a boy on a bed in a room, like a kaleidoscope is a tube full of bits of broken glass. But the way I saw you was pieces refracting the light, shifting into an infinite universe of flowers and rainbows and insects and planets, magical dividing cells, pictures no one else knew.
My favorite elements of 'Start Talkin'' were those man-on-the-street pieces. I love shooting those. I was born in Manhattan, have lived in or around New York my entire life, and I feel like I'm in my element when doing those pieces.
One might as well attempt to calculate mathematically the contingent forms of the tinkling bits of glass in a kaleidoscope as to look through the tube of the future and foretell its pattern.
The principle of fashion is . . . the principle of the kaleidoscope. A new year can only bring us a new combination of the same elements; and about once in so often we go back and begin again.
Like a kaleidoscope which is every now and then given a turn, society arranges successively in different orders elements which one would have supposed immutable, and composes a new pattern.
I always like to borrow bits and pieces of things. There's a line between jumping on something that's happening and incorporating bits and pieces of it into my work.
I like intersections. They're the nature of New York, and there's always the possibility that when you're at one you can meet someone new. Have I ever met anyone new at an intersection? No, but I like the idea of it. I like cities because if you're stopping on the corner to wait for a light to change, there's the possibility that you and somebody else can talk. And if you and that somebody else start to talk, then you can start to argue, and if you start to argue, you might start a revolution.
Our revolution is like Wikipedia, okay? Everyone is contributing content, [but] you don't know the names of the people contributing the content. This is exactly what happened. Revolution 2.0 in Egypt was exactly the same. Everyone is contributing small pieces, bits and pieces. We drew this whole picture of a revolution. And no one is the hero in that picture.
I read a lot, but at the same time I'm not a particularly good or diligent or discriminating reader. I go through maybe close to a thousand or more books a year, but a lot of times I'll only read bits and pieces of any one individual text.
I think a lot of people look at athletes in general and think they have everything figured out. They made it to the big leagues... We're battling and going through the same stuff everyone else is going through, but just in a different way. Maybe it can be comforting knowing that we have to battle through some of the same stuff.
That arrogance of youth and that kind of ignorant confidence can get you through a whole lot of things, and then life does its stuff, and you get smashed around and beaten up. You get full of doubts, and you end up making a person out of those bits and pieces.
Lying contains the same hostile elements as a practical joke in that the 'victim' ends up looking foolish in his own eyes and laughable in everyone else's.
The wandering photographer sees the same show that everyone else sees. He, however, stops to watch it.
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