A Quote by Rosabeth Moss Kanter
Power is America's last dirty word. It is easier to talk about money - and much easier to talk about sex - than it is to talk about power.
Related Quotes
It is easier to talk about money -- and much easier to talk about sex -- than it is to talk about power. People who have it deny it; people who want it do not want to appear to hunger for it; and people who engage in its machinations do so secretly.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
It's much easier to talk about racism when you're able to use mutants as a metaphor. People would much rather talk about Charles Xavier and Magneto than they would about Martin Luther King or Malcolm X.
We should know that the American administration is very much involved with the Egyptian army. And when you talk about the Egyptian army, we don't only talk about, you know, political power, we talk about economic power.
One of the things I learned in 'Slavs!' is that it's much easier to talk about being gay than it is to talk about being a socialist. People are afraid of socialism, and plays that deal with economics are scarier to them.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
My record label always says you shouldn't talk about money because it makes people extremely uncomfortable. Refugees can't talk about money. Rappers can talk about money; refugees can't talk about money.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
If the movie is terrible you can have fun. You can joke about it and have a ball. The movie is already sort of established as a kind of extraordinary piece of work even though it hasn't opened yet to the public. It is harder because you can't go against it and you can't be interesting. You have to go with the flow. Although one is very happy to be in it, it is sort of hard to talk about it. It is hard to talk about successful. It is much easier to talk about failure.
Acting is like sex: you either do it and don't talk about it, or you talk about it and don't do it. That's why I'm always suspicious of people who talk too much about either.
Keep braiding one's wavelengths back into oneself. That way they gain all the more external power and surround us with a huge affective and protective zone. Don't talk about this. Never talk about our secret methods. If we talk about them, they stop working.
You know, you can talk about race, you can talk about sex, you can talk about your biopsy. But when you get into class, people kind of clench up.
Let’s talk, you and I. Let’s talk about fear. The house is empty as I write this; a cold February rain is falling outside. It’s night. Sometimes when the wind blows the way it’s blowing now, we lose the power. But for now it’s on, and so let’s talk very honestly about fear. Let’s talk very rationally about moving to the rim of madnessand... and perhaps over the edge.
Politically, I don't care what party you're from, offer a point of view and let's see what happens and really debate the issues rather than use personal attacks. Really talk about it, talk about immigration, talk about education, talk about pollution.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
When we talk about novels, we don't often talk about imagination. Why not? Does it seem too first grade? In reviews, you read about limpid prose, about the faithful reproduction of consciousness, about moral heft, but rarely about the power of pure, unadulterated imagination.
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