A Quote by Roselee Goldberg
I had met American artists and just couldn't believe their energy. London was always such a struggle to get anything going.
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I just always had energy and my energy came from G-O-D! But I never needed anyone to get me going because I always had that energy.
There's always stress involved in any genre or art form, there's always going to be a struggle. If there's no struggle, you wouldn't do anything. What are you going do? Retire?
I've always been a city person - London boy - and New York is just incredible. It has what London has but almost more in terms of variety, culture, social life, everything. I just like walking the streets and feeling the energy and the vibe.
When I first moved to L.A., I discovered Roy London. I didn't know anything about the arts, the profession; I had no technique, I knew nothing, I'm fresh from Missouri. I sat in on a few classes, and they just felt a little guru-ish and just didn't feel right to me. Until I met Roy.
When you're a younger company, you struggle, struggle, struggle with, 'How are we going to pay the bills, and how are we going to hire people, and how are we going to get a bigger office?' Just managing the company is so hard.
I've never met anybody who's had a flashback in my life and I took millions of trips in the Sixties, and I've never met anybody who had any problem. I've had bad trips, but I've had bad trips in real life. I've had a bad trip on a joint. I can get paranoid just sitting in a restaurant; I don't have to take anything.
I always had this huge respect for American filmmakers and American actors. I always had this very strong love and respect for the American cinema. I always knew that I was going to leave Sweden.
I always want to encourage young artists. As the budgets get smaller, that might provide an opening for younger artists and more experimentation. Budgets had gotten quite large for art, as they had for architecture. I'm not going to cut back. The minute someone walks through my door, I go, "That's my thing and you got to let me do it."
I have worked with several art directors and production designers who are just magnificent. Dave Getz, Paul Felix, Ian Gooding... just amazing artists, and I would say, if I had anything to do with it, I just pick good artists!
?Your hair was beautiful too. All of you. You were amazing when we first met, and somehow, inexplicably, you?ve come even farther. You?ve always been pure, raw energy, and now you control it. You?re the most amazing woman I?ve ever met, and I?m glad to have had that love for you in my life. I regret losing it.? He grew pensive. ?I would give anything—anything—in the world to go back and change history. To run into your arms after Lissa brought me back. To have a life with you. It?s too late, of course, but I?ve accepted it.?
I wish I had a typical workday. I struggle to get up at seven and almost always fail. I just try to get to my office as soon as I can, but it's always later than I would like.
In the industry, artists of of color struggle the most. Caucasian artists have really solidified themselves in the industry, and with African Americans now we see directors and producers who vow to only produce work that shines a light on African American artists. But everybody in the middle gets lost.
There's no destination. There's no getting anywhere. There's just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there's this dawning of an afterwards. Whereas I'm just always in the going. And it's not a frantic going like, “I gotta keep going or I'm gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I'm just as fine consuming and absorbing new art as I am trying to make it. But it's all in the going.
London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.
I've never had a celebrity crush! I don't believe in those, really. I feel like you have to get to know the person before you start to feel anything like that. People always think they know celebrities, but how can you when you've never met them?
I struggle just like everybody else struggles. It's always a struggle in life to overcome temptation. I just try and get through it. No one is perfect.
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