A Quote by Rosie Huntington-Whiteley

Being on a Michael Bay set is... well, it's the only set I've ever been on. But I would imagine there's no set that's run quite like it. It's big, it's loud, it's powerful, it's intense, it's dirty, it's hot, it's sweaty - and it's really exciting. There's never a dull moment; there's never a quiet moment.
There's never a dull moment on a David O. Russell set. But that's the beauty of it. That's the magic.
It [Dr Phil] was great. We had such a good time. Never a dull moment on set, considering the 18 kids. It never got boring.
In the case of 'Game Of Thrones,' I've been to set a couple of times, and it's really exciting and inspiring for me to see the set and the actors in action, meet them and talk to them, so it definitely helps. If I can go to set, I will.
When I got back to my cell, I said, 'God, I asked you to set me free, not kill me.' God spoke to me and said, 'Andrew, I have set you free from the inside out, I have given you life!' From that moment on I haven't stopped worshipping Him. I had never sung before, never led worship, until Jesus set me free.
Film is like tech starts on the first day of filming and it never stops. There's never a moment when the audience comes in, you're just in tech forever, and I can't stand being on a film set. It's really tedious.
I never plan to run at a certain pace. All my career my motto has been 'no limits.' I don't try to run with a set time in mind, sticking to set splits, because what happens if you're ahead of your splits - are you going to slow down?
Not being locked into one set of feelings, which you run the risk of mistaking for the truth, you have greater and more intense access to all feeling states, including those you would never choose to act out.
I never stopped being a mother, and I never stopped being an artist. Which is probably why my kids are so creative. When I'm with my kids I'm creating but I'm still a mom. I don't wear two different hats. My kids have always been on the set with me. I was breastfeeding on set. None of my kids would take a bottle so they could not leave my side for a very long time.
When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.
I don't really need new stuff anyway. I like to make big stuff, and it's too expensive to travel with. So I have my refined set that works well, and I'm pretty much set with that.
I loved fairy tales as a kid. I've always been drawn to fantasy. They're always exciting. There's never a dull moment. I just love the embellishments and the magical stuff. It's such fun to work with and to re-imagine your own way.
Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."
I have always been a person who wanted to act. I have never dreamed about being a hero. I never think of a part as small or big. If I like a script I am offered, I immerse myself into the world it set in.
We'll run a lot of multiple sets - pro set, twin set, the box set, ... We'll run a lot of option plays and pass the ball more than in the past.
Michael Rooker is like the Merle Haggard of the acting world. Never a dull moment.
I meet Daniel Day-Lewis. He's just sitting in a chair on the set. Now, I had been told that Daniel Day-Lewis was kind of an intense person. And he's really not. He's really THE MOST INTENSE PERSON THAT HAS EVER EXISTED ON THE PLANET OF EARTH. He's not doing anything, he's just sitting in a chair, and I am terrified of him as if a jungle cat has wandered onto the set, like- WHOA! What do we do! Are we supposed to move around a lot or stay perfectly still?! What are the rules of Daniel Day-Lewis?!
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