A Quote by Rosie Huntington-Whiteley
I have the same attitude with work - I like to go to work, I like to work really hard I, like to give everything my all, I like to try things that are new, you know.
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I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
I like making movies. I like the process. I like trying out new ideas, and if they don't work, they don't work. That's the reason I generated the money in the first place, to be able to try things. That's where I spend my money.
Like in comedy, you know the names of the people who steal things that others work really hard on. It really sucks. And, in magic, it's not just the hard work of getting the words and attitude and point of view right; you're taking an actual invention, making something over three or four years, and somebody can just take it.
I like to really spend the time and figure it out and rehearsal is to try something that doesn't work. It's hard to do that, because you always want to go with your impulse thought and you wonder if that's the one, did that work, you know?
Sometimes things aren't a dream because you don't really think it's a possibility. So my goal on a daily basis is just to go to work and be someone that people like to be around. I just want to work hard and be nice to people, and I feel like when you touch people in that way, on a more personal level, then they go to work the next day pushing for you. And that's when an opportunity comes that you wouldn't have even expected otherwise.
It's been a straight strip, I must tell you, I've enjoyed it all the way. If I'm saying things to make it sound like it's hard, hard work, it's not. It's beautiful work. It's fun work. It's everything you'd ever want to do.
I don't know if I could go to another run-of-the-mill baseball department and work because it would probably feel like work. In Boston and Chicago, it doesn't feel like work. It feels like a privilege.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
As a father, you find yourself telling this to your kids a lot. My son, when he didn't want to play baseball, I was like, "Buddy, try it. Try playing baseball and if you don't like it, that's fine. But I want you to try it. I want you to try as hard as you can at it. And then we'll talk about it." You kind of have to give yourself the same pep talk. As a 43-year-old, you're like, "You know what? Just, try it. Try as hard as you can, give it everything you got and then accept the results."
I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.
I really, really love new work, and that's why, you know, I produced a concert series supporting new musicals and stuff like that. I hope to do more things like that.
I think backstory is really important to know because I'm all about prep work. I like to do all of my work right away, as soon as I get it. I'm incapable of procrastinating on anything, so I like to do all of the work.
I have a pretty crazy work ethic, most people around me think it's a little off the charts, like I'm always working on something. The thing is, as hard as I work at what I do, I love it so much it really never feels like work at this point in my life.
You just have to work really hard and throw everything into it. ... It's really hard to be an artist, and even if you do work really hard, there's no guarantee about anything. There's no advice you can give someone that things will somehow work out, but you can talk to people about how they can make art a big part of their life.
I've learned to go out and focus on what I can control, like how hard I work and my attitude and whether I'm happy or not. I've really tried to focus on those things.
Every single job I do. It sounds goofy but I did a music video for Fergie. I was in full on tattoos, ponytail, but it's like even things like that they help other people to see you in a different light. They give me opportunities. I try and change the image with every job that I can, it's just hard when you work on a TV show and you work so many months and trying to get away from that.
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