A Quote by Rouben Mamoulian
Some of the screen's best moments were realized because a director went against all reason, all logic. No matter how incredible a story seems, it can be made credible. If you feel an insane idea strongly enough, you've usually got something.
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There is an inward state of the heart which makes truth credible the moment it is stated. It is credible to some men because of what they are. Love is credible to a loving heart; purity is credible to a pure mind; life is credible to a spirit in which life beats strongly it is incredible to other men.
If an artist wants to work with me because they feel I've made some credible albums and there've been things that are long-lasting, it's because those artists took the time and we built an idea.
The real problem is arranging that experience in a way that tells a story, which is just incredible enough to be interesting, but credible enough to be believed.
Jesse Marcel's unproven story was now primetime mythology. This remote New Mexico town had hit the jackpot. It didn't matter that there wasn't a shred of credible evidence to support the claim that a flying saucer crashed here. It didn't matter that there were no credible witnesses to alien bodies.
The very best gift... is that anyone can experience those unexpected twinkles of joy that make a magical moment. At these moments, you feel true, deep joy because of a great new insight, a beautiful prospect, or a glimpse into the radiance of another soul. They are the magic moments when life seems better than you ever realized.
Anti-Semitism is best understood as a virus. It has no logic. Jews were hated because they were rich and because they were poor; because they were capitalists and because they were communists; because they held tenaciously to an ancient faith and because they were rootless cosmopolitans, believing nothing. Hate needs no logic. It is a sickness of the soul.
Behind The Curtain of the Night is a life after death movie and it is based on a best-selling novel in the Czech Republic. It is a true story, and together with director Dalibor Stach, producers Milan Friedrich and Phil Goldfine, we were able to bring such a meaningful, important, and powerful story onto the big screen. We were so blessed that we got to shoot in the best historical locations throughout the entire Czech Republic from Prague to Karlovy Vary and many other important locations.
It doesn't matter, that's the point. It doesn't matter that things don't always work exactly the way you thought they should. Moments matter. People matter, how they feel, how they connect. Who they are alone and together. All that matters, no matter how quickly the moment passes. Maybe because it passes.
I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
This story is about the Baudelaires. And they are the sort of people who know that there’s always something. Something to invent, something to read, something to bite, and something to do, to make a sanctuary, no matter how small. And for this reason, I am happy to say, the Baudelaires were very fortunate indeed.
You may wonder: how do I overcome the common 'Cute/Insane Conundrum,' as it occurs in men ... Yes, it's a fact - any man who seems cute, fabulous, and incredible to you will, of course, turn out to be insane.
No matter how grateful I would be to Netflix, it won't be enough because they have made me who I am today. They are the reason why I have the love that I have.
To make magic credible on screen is always very difficult. The story is the most important thing. That is what should win. If sacrifices or compromises are made, it's usually for story. Story in magic is very, very important to me. That's what I've really championed through my career.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
What seems certain is that Pythagoras developed the idea of mathematical logic. He realized that numbers exist independently of the tangible world and therefore their study was untainted by inaccuracies of perception. This meant he could discover truths which were independent of opinion of prejudice and which were more absolute than any previous knowledge.
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