A Quote by Roy Blount, Jr.
When money gets too far away from actual, physical, real equity and property it gets too abstract and too distantly derived and then suddenly it's not worth anything anymore. And the same is true of language.
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The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.
There is a basic lesson on financial crises that governments tend to wait too long, underestimate the risks, want to do too little. And it ultimately gets away from them, and they end up spending more money, causing much more damage to the economy.
I wonder if ever again Americans can have that experience of returning to a home place so intimately known, profoundly felt, deeply loved, and absolutely submitted to? It is not quite true that you can't go home again. I have done it, coming back here. But it gets less likely. We have had too many divorces, we have consumed too much transportation, we have lived too shallowly in too many places.
To some, I'm too curvy. To others, I'm too tall, too busty, too loud, and, now, too small - too much, but at the same time not enough.
I have not been that wise. Health I have taken for granted. Love I have demanded, perhaps too much and too often. As for money, I have only realized its true worth when I didn't have it.
People come in. They are too gung ho. They invest too much money in things they don't know. They lose it and then they clam up and stop investing. Then they miss the actual boom. That's the nature of the market.
I've put up with too much, too long, and now I'm just too intelligent, too powerful, too beautiful, too sure of who I am finally to deserve anything less.
I definitely don't think of myself as an actual male model. I'm far too short and my legs are far too muscular.
If the world gets a lot hotter in a hurry and the primary aim is to cool it down, then the current plan of carbon mitigation will almost certainly not be effective. It'll be too little, too late, and too optimistic - in large part because the atmospheric half-life of CO2 is roughly 100 years.
She is always married too soon, who gets a bad husband, and she is never married too late, who gets a good one.
I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me.
I'm not going to play someone too far from who I am. Although I did a movie where I played a killer, and that has yet to come out. But that's someone I love being able to shock people with. I could do something you would not expect me to do. My limitations are - I'm not Meryl Streep. I'm not playing anything in a foreign language, or anything too far from who I am.
You size up someone physically in less than one second - too tall, too short, too fat, too thin, too old, too young, too stuffy, too scruffy.
We are all too often told by someone that we are too old, too young, too different, too much the same, and those comments can be devastating.
We have come too far, - struggled too long, - sacrificed too much and have too much left to do, - to allow that which we have achieved for the good of all to be swept away without a fight. And we have not forgotten how to fight.
Part of the blame can be put at the artists' door, too - no question. But I see our involvement more as a consequence. When there is too much money at stake, the whole system gets corrupted. Artists can be very vulnerable to these mechanisms.
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