A Quote by Ruben Fleischer

With '30 Minutes or Less,' there was a conscious decision on my part to make it a little less stylized. I wanted it to feel like an '80s action movie. — © Ruben Fleischer
With '30 Minutes or Less,' there was a conscious decision on my part to make it a little less stylized. I wanted it to feel like an '80s action movie.
I made a big conscious decision in my life when I was writing all these big action movies and doing different kind of fare but very proud of it, I was finding myself less and less passionate about doing it.
A little more kindness, A little less speed, A little more giving, A little less greed, A little more smile, A little less frown, A little less kicking, A man while he's down, A little more "We", A little less "I", A little more laugh, A little less cry, A little more flowers, On the pathway of life, And fewer on graves, At the end of the strife.
But if I decide to decide there’s a different, less selfish, less lonely point to my life, won’t the reason for this decision be my desire to be less lonely, meaning to suffer less overall pain? Can the decision to be less selfish ever be anything other than a selfish decision?
I feel like this thing [that] we're rocking back and forth like we're stuck in a snow bank and we all sort of know it. I feel like people are getting less and less pretentious and less and less hip - hopefully.
When I naturally write a story and I feel that the guy is sitting across the table from the girl and flirting with her... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles.
I made a conscious decision when I was about 30 that I wanted to do something different with my life. I felt a little bit lost and didn't trust people, so I decided to move to America.
The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.
I feel like every movie has been wish fulfillment. For The Heat, I love Lethal Weapon. I watch it over and over again. I always wanted a friend like that; I always wanted to be the badass taking down the drug dealers. It was basically just writing what I wished I could be. Female friendship is so interesting to me. I often feel like when you make female friends as adults, it's polite. I wish it was less polite and you could be frank and mess around with each other.
My husband is always telling me I need to do less, do less, do less. But I feel like if I'm not being productive, I have a hard time relaxing and enjoying myself.
They wanted to make her less rural, less of a cartoon. Not that Southern woman are cartoonish - they're the strongest women in this country, but with Val they wanted to take the stereotypical things out.
You see it in schools all over... the concept that 'I'll be somewhat less than my best in order to make those around me feel more comfortable' is alive and well... I'm very keen that they understand that if they make themselves a little less than they can be, it is a one-way street to mediocrity.
As a writer who happens to be a woman, I am constantly devalued - even by other writers who happen to be women - simply because of a marketing decision. Am I truly less talented, less audacious, less erudite, less brave than my more quote-unquote literary colleagues?
I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard.
If you're stuck in a situation that's painful or there's something that makes you angry, it can enable you to step back from your own experience of it and realize that this is just a part of what it is to be human. It can allow you to accept it a little bit more and make you feel like it's less unfair.
Without patience, we will learn less in life. We will see less. We will feel less. We will hear less. Ironically, rush and more usually mean less.
Unfortunately, there can be no doubt that man is, on the whole, less good than he imagines himself or wants to be. Everyone carries a shadow, and the less it is embodied in the individual's conscious life, the blacker and darker it is. If an inferiority is conscious, one always has a chance to correct it
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