A Quote by Ruben Fleischer
Sometimes in L.A., we get accused of being superficial. I feel like Portland's the opposite, in that there's a greater depth of character, and sense of self.
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Sometimes I am kind of the opposite of my character. But that's the thing about acting, you get to play people who are not like you at all.
See, I don't get the sense that you need to direct at all. Sometimes I get the opposite sensation from you, that you're like, "I really should go do something else." But then you are drawn back in by a particular story, like a hangnail in the brain.
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
I don't mind being accused of being a bad comedian and I don't even mind being accused of being a bad talk-show host, but I never want to be accused of being an arrogant, pompous showbiz asshole.
The reason I feel like I act is because you get to live a million different lives in one. I don't have to go about my life, just being easy-going New Zealander Rose. Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be.
When your sense of self is no longer tied to thought, is no longer conceptual, there is a depth of feeling, of sensing, of compassion, of loving, that was not there when you were trapped in mental concepts. You are that depth.
There is nothing like being able to develop a three-dimensional character over a long period of time. Sometimes you aren't able to fully portray a character because you only have a couple of scenes to do it in, and you don't get the full life and background of that character.
I'm often accused of being prudish, but the opposite is true.
I can't not have something attached to like what actually happens in real life. Like I can't do a romantic comedy without there being something where like, in the case of Annie Hathaway's character, her character ends up having Parkinson's, you know? To me, I feel like that's love, you know? Like to me. So every movie has to have that kind of sense of that.
Pretty is a self-serving situation in which it's all about you. People who are pretty are superficial, but they are not beautiful. Beauty requires more depth.
I want to learn how to hold the paradoxical poles of my identity together, to embrace the profoundly opposite truths that my sense of self is deeply dependent on others dancing with me and that I still have a sense of self when no one wants to dance.
One of the strongest signs of being in the zone is a sense of freedom and of authenticity. When we are doing something that we love and are naturally good at, we are much more likely to feel centered in our true sense of self - to be who we feel we truly are. When we are in our Element, we feel we are doing what we are meant to be doing and being who we're meant to be.
Half the time, when I first run onstage, I can't look directly at the audience just because of self-consciousness. It's human nature. Sometimes you feel like the man, and sometimes you don't. But sometimes that self-conscious energy is good for the show, it draws people in more.
A failure remains a failure only if we refuse to learn from it. Any situation that teaches us greater humility, sobriety, wisdom about self and others, responsibility, forgiveness, depth of reflection, and better decision making -\-\teaching us what's truly important-\-\is not an ultimate failure. Sometimes what we deem a failure at the time it happens actually serves to foster a change within us that creates an even greater success down the road.
Self-Control is the very essence of character. To be able to look a man straight in the eye, calmly and deliberately, without the slightest ruffle of temper under extreme provocation, gives a sense of power which nothing else can give. To feel that you are always, not sometimes, master of yourself, gives a dignity and strength to character, buttresses it, supports it on every side, as nothing else can. This is the culmination of thought mastery.
How do you project a character if you don't have a sense of where she is from? I've always just gotten on a plane to go to the area to get a sense of what it is like, to smell it, feel the earth, hear people talk, go to the marketplaces.
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