A Quote by Ruben Fleischer

I guess as a long time fan of 'Venom,' as soon as I heard they were making a standalone movie I got really excited at the prospect of being involved. — © Ruben Fleischer
I guess as a long time fan of 'Venom,' as soon as I heard they were making a standalone movie I got really excited at the prospect of being involved.
Venom' is a standalone character who has so much attitude, menace and ferocity. He's also really funny in the comics and in our movie. He's a really compelling guy that can completely stand on his own. When he's played by Tom Hardy, and Eddie Brock is his partner, that relationship is enough for one movie.
I was excited when I first got the call, when I heard BBC Four were making a biography and they were interested in me being a part of it.
I genuinely was just such a fan of the books. When I heard that this was on the cards, I've got to do this; I've got to get involved with this. I'm such a Philip Pullman fan and actually his philosophies, morals and the way he looks at the world. He does what he does brilliantly as a writer. He writes children's stories with major adult themes and major ideas about making the right choices.
We didn't want to make a movie that excluded any fans. 'Venom' fans actually are of all ages, and so we wanted to be inclusive to all the fans that were excited about the movie.
My brother was a huge fan of 'The Hunger Games' for a couple of years before I got the role, so he was really excited when he heard that I got the role.
Maybe it was just me shorting myself to hedge my expectations. As a fan, I was excited about the project. If you look at the body of work for the people involved, I was excited about the project, but I didn't really know. There were people saying, "I think we're going to be part of something huge."
I was not a vampire or werewolf fan at all. I'd never even heard of the series. I auditioned for the role, and as soon as I got it, I started reading the books. I'm not a reader, but I really did get hooked on them.
On Phantom... I listened to the music while I was reading the script. And it had just blown me away. I really... I was so excited about it. It's been a long time since I really got so excited about something.
Venom were the first thrash band i heard on record-it really pushed me to the best!
Some people have this really clear memory of making that decision, and I don't. My earliest memories of being involved with drama or acting were in elementary school. My sister and I got dropped off at an after-school improvisation class, a time-killer for kids while parents were doing the groceries. I'm 6 years old, and I remember running amok and playing these games.
As far as producing, once we started shooting, I soon realized where the critical decisions about the movies were really being made, and it wasn't on the set. They were being made in the production meetings. That's where producing a movie happens. And that's where I wanted to be. I didn't just want to be a piece, a pawn being played. I wanted to take part in the creative process, and that's how I sort of got introduced to the idea.
It's amazing how much of that music I still listen to actually. I was such a fan of music, even after I got started professionally I remained a fan. But what happens when you're so involved is you start spending all your time based on the music that you're involved with, you just don't have as much time.
I guess I wanted to emulate the artists that my parents were listening to when I was growing up. I've always had this affinity for folk music, and music in general, for as long as I can remember. So as soon as I could start playing shows, I did. And my parents were really supportive of me the entire time.
I'd love to play Venom. I'm a huge 'Spider-Man' fan, and Venom was the character that drew me into the comics.
When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.
If you take a movie like Easy Rider which everyone counts as the beginning of New Hollywood, that is a big movement. And then, when you really dissect that film and the people that were behind that movie, you realize that it has Roger Corman written all over it. Easy Rider is a hybrid film, taking The Trip and The Wild Angels and making a new explosion. And the people that were making it, guess what, they were all [people who had worked with Roger Corman].
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