A Quote by Ruben Fleischer

I think any opportunity you can to employ some visual technique, go for it. — © Ruben Fleischer
I think any opportunity you can to employ some visual technique, go for it.
Remember that for every technique you think you can fall back on, there is a counter for it, or there are times when it cannot be used. When real battle comes, you must remember that some things will not be applicable. Don't think that any one technique is quintessential.
I admire a lot of photographers, but I feel very disconnected from them at the same time. I don't feel I employ any technique like these people in my work. I guess if there's any influence from any of these photographers, it's this: They were concerned only with beauty. Not with 'cool.' I hope I'm doing the same.
I've never had a method of working. I change according to circumstances; I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!
Don't think that any one technique is the end. there is no end. There is no perfect technique. Just when you think you've got them, you're dead because you didn't.
Some bosses believe they can't afford to employ someone legitimately - so they employ them illegally.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
A terrorist can attack any time, any place using any technique and you can't defend everywhere against every technique at every moment.
Well, I think my stand-up is often kind of visual. Not like Carrot Top visual, but visual.
There are people who can't stand the pain. What happens is they begin to develop some kind of technique to keep out of that hole. Once they do that, they're finished. They never go any further. They're done.
I've always refused requests even from friends to employ a technique I know nothing about.
The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!
I haven't had the opportunity to study visual art, but it was always my first love when it came to artistic expression. I started drawing and experimenting with visual art when I was 5.
I think there are some things I am unable to fully express with my visual work, and the music is what fills that void. At the same time, I don't think you can fully appreciate the music without the anchor of the visual work.
Some go to church to take a walk; some go there to laugh and talk. Some go there to meet a friend; some go there their time to spend. Some go there to meet a lover; some go there a fault to cover. Some go there for speculation; some go there for observation. Some go there to doze and nod; the wise go there to worship God.
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
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