A Quote by Ruben Fleischer

I come from music videos and commercials, where style is a big part of the whole world. I've always tried to add that to whatever I'm doing. — © Ruben Fleischer
I come from music videos and commercials, where style is a big part of the whole world. I've always tried to add that to whatever I'm doing.
I've always loved UFC. I watched it back since the days it wasn't big in Australia at all, and you had to watch a Blockbuster videos. They would always come like a year late, but I tried as many of the live ones I could or wait for the videos to come out. So, I've loved the sport for that long. I've always been into martial arts.
When I was doing music videos, everybody was very snobbish about music video directors doing commercials. It was all guys from ad agencies.
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.
I've always wanted to be a director; it's just how my mind has always worked. If I hear music, I see music videos and all the shots and setups to edit it all together. If I interact with a person, I'm seeing a whole scene come to life.
I accept that appearance is a big thing in this business. But being around Hollywood and having actor friends and doing music videos, it does make you more aware of how you look. With music videos they send you rough cuts, and in certain frames of me, I just see a nose advert.
I started doing non-surf stuff like commercials, short films, and music videos and just started expanding my filmmaking that way. I started doing that more for a career: you know, it was paying the bills, and it was challenging. I was stimulated by it.
It's scary for a 20-year-old to move to a city where she knows no one, but I did it and thankfully for me, I met the right people and got a whole lot of work in terms of commercials and music videos.
I was working in commercials and music videos, always with the goal of working in feature films.
We [musicians] are comfortable in front of the camera doing music videos, and it's almost a form of acting when we're doing music videos. We're acting out our own thoughts and what we've written down on paper.
I'm a controversial artist, one who dares to have an opinion and bothers to create music and videos that challenge people's ideas in a world that is watered-down and hollow. In my work I examine the America we live in, and I've always tried to show people that the devil we blame our atrocities on is really just each one of us. So don't expect the end of the world to come one day out of the blue – it's been happening every day for a long time.
I think of music videos as commercials for songs.
I direct a lot of TV commercials and music videos.
Some people get medals and awards and all that, and maybe not intentionally - maybe the world is making them do it - but they sort of just follow what they were doing. Repeat or follow what they were doing all their lives, in their style of music or whatever. In my case, I always try to start from scratch. It's very nerve-wracking actually, but it's interesting.
A lot of the commercials that I was doing were very slice-of-life, emotional, documentary-style, not big and cinematic and ultimately like the kind of movie I wanted to make.
The first part of my career, how I was paying the bills was commercials. I was just doing tons of commercials.
I was doing these music videos online for a couple years, and they'd be doing well to varying degrees. And I released an album, and with the album, I released three new music videos, and one of them was featured on Jezebel.
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