A Quote by Rudy Ruettiger

I think my story captured a wonderful feeling inside all of us. It's a dream that we can all do it. It's all possible. — © Rudy Ruettiger
I think my story captured a wonderful feeling inside all of us. It's a dream that we can all do it. It's all possible.
Wait," I say. "I think you're mistaken. Saying there is no dream is the same as saying everything is a dream. Isn't it? Everyone's a dreamer? Extraordinary things happen all the time even when we're awake. What I meant to suggest to you, if indeed that was me in your dream doing the suggesting, is that there is only one world. This one. The dream is real. The ordinary is the wonderful. The wonderful is the ordinary.
I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.
When we can let go of what other people think and own our story, we gain access to our worthiness—the feeling that we are enough just as we are and that we are worthy of love and belonging. When we spend a lifetime trying to distance ourselves from the parts of our lives that don’t fit with who we think we’re supposed to be, we stand outside of our story and hustle for our worthiness by constantly performing, perfecting, pleasing, and proving. Our sense of worthiness—that critically important piece that gives us access to love and belonging—lives inside of our story.
When you carry out acts of kindness you get a wonderful feeling inside. It is as though something inside your body responds and says, yes, this is how I ought to feel.
I don't want to make this sound negative at all, but in the best way possible I freaking give up. I give up. You can't try and make your life perfect. I'm just trying to have a good time, and I'm just trying to appreciate the things that I have around me. I give up on the 'dream' dream. I think that it's all a dream. I think it's all wonderful and terrible. And I give up in the nicest way.
There isn't a thought or feeling that doesn't alter or deepen when written. We are a writing animal. That is why all of us feel we have a book inside us. It isn't an illusion. We have got a book inside us.
Sometimes a day is a symbolic day, and you behave symbolically. Sometimes you search inside for a feeling, and, finding none, you remember that no feeling is frequently the most possible feeling.
The feeling of longing for home is born into us. That wonderful dream cannot become real without great faith - enough for the Holy Ghost to lead us to repentance, baptism, and the making and keeping of sacred covenants with God. This faith requires enduring bravely the trials of mortal life.
I think what I love most [about writing] is that feeling that you really nailed something. Sometimes with a line you feel that it really captured what it is that you had inside you and you got it out for a stranger to read, someone who may never love you or meet you, but he or she is going to get that experience from that line.
The incredible talent that has assembled at Hyperloop One is what is making it possible. I don't just think it's a technology story, I think it's a human story. It's those hearts and that passion of everyone and the commitment that is distorting reality and making this possible as fast as it is.
The storyteller is deep inside everyone of us. The story-maker is always with us. Let us suppose our world is attacked by war, by the horrors that we all of us easily imagine. Let us suppose floods wash through our cities, the seas rise . . . but the storyteller will be there, for it is our imaginations which shape us, keep us, create us - for good and for ill. It is our stories that will recreate us, when we are torn, hurt, even destroyed. It is the storyteller, the dream-maker, the myth-maker, that is our phoenix, that represents us at our best, and at our most creative.
There is no Croatian dream. There is no European Union dream. There is no Chinese communist dream, except maybe to get out. But there is and always has been an American dream. And the dream is possible. The dream can become real.
Mindi Scott has a real talent for getting inside her protagonist's head. She sketches out Coley's story in grand swathes, and then paints in all the little details, so that you feel as though you are enmeshed in Coley's brain: thinking her thoughts, feeling her confusion, anger, and, in the end, pain. I just don't think it's possible to read this book and not identify with Coley in some way.
We didn't want to live anymore in the old logic. And I like that. The consequence of that is to create the dream of that, but we all know this dream may be not possible. So here we have the key of the ambiguity of the atmosphere of my films. Is it possible, this dream? Is it as funny as it seems, or is it tragic?
Architects are today routinely indoctrinated against the dumb box. Even advertising urges us to "think outside the box." Why? Because it is thought we all hate the box for being too dumb, too boring, and we want to escape it. If we do escape, by buying the advertised product, we usually find ourselves inside another dumb box populated by boring people just like us. It is clearly possible to live an extraordinary life inside a dumb box. Question: is it possible to lead an extraordinary life in anything other than a dumb box?
It seems to me I am trying to tell you a dream - making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams.
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