A Quote by Russell Crowe
I've got bits falling off me. I'm not made of rubber. That's from film stunts. Every single injury I have is related to a movie. I know that sounds fundamentally embarrassing.
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The most embarrassing one is that I had no idea - and please excuse me - that you guys call a condom a rubber. My version of a rubber is an eraser. I've done that - very loudly asked for a rubber and people have given me strange looks. That was embarrassing!
Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'
As a kid, falling was embarrassing. As I got older, I got used to falling and picking myself back up. There's not a sense of failure. It's of disappointment. You train so hard to not make mistakes. When you do, you're learning from that. How do I improve? How do I get better for the next time? Through every failure, there's something to be learned.
The second time I was pregnant friends would give me rubber bands to gnaw, because the first time, I had chewed things like a rubber bit that fell off the dishwasher. I remember driving once in the rain and the smell of my rubber-soled shoes in the damp caused me to pull over and start chomping on the rubber mat.
A single action can cause a life to veer off in a direction it was never meant to go. Falling in love can do that, you think. And so can a wild party. You marvel at the way each has the power to forever alter an individual's compass. And it is the knowing that such a thing can so easily happen, as you did not know before, not really, that has fundamentally changed you and your son.
I'm a huge Wes Anderson fan. I literally love every single film. He hasn't made a bad film; I've seen every single one. They've all been brilliant, from 'Bottle Rocket' up to 'Moonrise Kingdom,' they've all been wonderful.
Every single second of extra time to work with other actors has definitely always, for me, paid off for the film. For the project. Every single extra heartbeat you could get, mutually considering the scene, was of benefit.
I never got hurt when I was in Morocco doing all the horse riding and my own stunts. But on the last day on the last shot I slid off my horse and landed on my bottom. I did not get hurt but it was very embarrassing.
On the first movie we got good reviews, but we were still dealing with genre stuff. It's going away. Judge the movie - is it a good one or a bad one? We know we made a great movie and it's being judged for just being a good film.
I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle.
I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
You know, we've got to this place, where you go to a movie for one particular surgical fix. So, it's like, I want the pulse-pounding action, or the insane falling-off-my-seat comedy, or the devastating, heart-breaking drama.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
All my main characters have got bits of me, bits of my family, bits of my friends.
That one was stunt heavy. 'Monster Trucks' was a lot of stunts. I got to do some insane stunts they should've never let me do.
I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.
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