A Quote by Rutger Bregman
It's actually more than 700 case studies that show that, especially in times of crisis, we show our best selves. And we get this explosion of altruism and cooperation. This happens again and again after natural disasters, after earthquakes and after floodings.
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After a migratory crisis on the border with minors coming over that you're seeing start up again now, after all these executive orders the President has issued. More than ever we need to prove to people that illegal immigration is under control.
You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.
To remember love after long sleep; to turn again to poetry after a year in the market place, or to youth after resignation to drowsy and stiffening age; to remember what once you thought life could hold, after telling over with muddied and calculating fingers what it has offered; this is music, made after long silence. The soul flexes its wings, and, clumsy as any fledgling, tries the air again
In the New Testament outside the Gospels and the beginning of Acts, again and again, the fact of Jesus’ resurrection is closely linked to our own ultimate resurrection, which isn’t life after death – it’s life after life after death.
Studies show that women are more likely than men to die in natural disasters. Women's voices must be heard.
I started over again with an image: Nothing goes right. Then when The Godfather came out, all I heard was, Show respect. With me, you show respect. So I changed the image to I don't get no respect. I tried it out in Greenwich Village. I remember the first joke I told: Even as a kid, I'd play hide and seek and the other kids wouldn't even look for me. The people laughed. After the show, they started saying to me, Me, too - I don't get no respect. I figured, let's try it again.
In meeting again after a separation, acquaintances ask after our outward life, friends after our inner life.
I listen to my songs so many times that I tend to lose objectivity. After I hear a tune around 30 times, I keep it aside, and revisit it after a while. Then, it starts sounding fresh again.
Vegas is definitely a new challenge, but I wanted to be able to put on a different type of show. You get to do so much more when you don't have to put your stage in trucks after the show every night - we got to build a venue specifically for my show. It's going to be more like a party than a typical concert.
I know how hard it is to get a babysitter, get dressed and go out again after work. I'm like, right, I owe you lot a good show.
My partner after Fred Freeman was Jerry Belson. And Jerry Belson, after I was doing so well writing situation comedy, said, this is not good enough. We got to create our own shows. I said, but we're very happy doing this. No, no, no, you got to get your own show. So he made me - and he and I created our own shows. And we actually - everything we created failed. "Hey, Landlord" was our first show - 99th in the ratings. But imagine this - it's a great reflection on the years.
After this happens again and again, we reach a point were there is nothing but satori, which is what nirvikalpa samadhi is like.
The main thing during a crisis is discipline, to begin investing in time again after the crisis subsides.
Sometimes it feels like it's show after show after show - like it's 'Groundhog Day,' and you feel like you're lost in the system.
Let us ask ourselves seriously and honestly, 'What do I believe after all? What manner of man am I after all? What sort of show would I make after all, if the people around me knew my heart and all my secret thoughts?" What sort of show then do I already make in the sight of Almighty God, who sees every man exactly as he is?'
I've always thought what was I before I was this and then what will I be when I leave here. I really had a hard time always accepting that at some point I'm just going to turn to dust and ashes and never be again and that the journey would stop. I believe that we are souls, kind of like a version of what our movie presents, and we come here again and again until we arrive at our highest evolution, and what happens after that I don't know.
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