A Quote by Rutger Bregman
The greatest sin of the academic left is that it has become fundamentally aristocratic, writing in bizarre jargon that makes cliches seem abstruse. If you can't explain your ideal to a fairly intelligent 12-year-old, it's probably your own fault.
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Jargon is the verbal sleight of hand that makes the old hat seem newly fashionable; it gives an air of novelty and specious profundity to ideas that, if stated directly, would seem superficial, stale, frivolous, or false. The line between serious and spurious scholarship is an easy one to blur, with jargon on your side.
I was instructed long ago by a wise editor, "If you understand something you can explain it so that almost anyone can understand it. If you don't, you won't be able to understand your own explanation." That is why 90% of academic film theory is bullshit. Jargon is the last refuge of the scoundrel.
I have a 12-year-old daughter, and all the time people will say, 'Oh, she's young!" and you'd be so surprised what you can learn from that 12-year-old if you just opened up your mind.
Aphorisms are essentially an aristocratic genre of writing. The aphorist does not argue or explain, he asserts; and implicit in his assertion is a conviction that he is wiser and more intelligent than his readers.
When you're 12, a 12-year-old girl is so out of your league, because they have no interest in you. You're like 10 years younger. You're 2 to them.
When you're a writer, you want to try to avoid cliches. Unfortunately, when you're writing about marriage or family, all cliches seem to apply.
I was writing rap at 12 years old and began writing songs as a 20-year-old. I think I wrote my first song in the winter of 2008-2009, when I was in Buenos Aires. I was writing about growing up and my boys back home.
My highest compliment is when someone comes up to me to say, "My 14-year-old daughter, or my 12-year-old son read your book and loved it." I cannot conceive of a greater compliment than that - to write something that as an adult I find satisfying, but also that manages to reach a curious 13- or 14-year-old.
I went to work at 11 years old. I became governor. It's not a big deal. Work doesn't hurt anybody. I'm all for not allowing a 12-year-old to work 40 hours. But a 12-year-old working eight to 10 hours a week or a 14-year-old working 12 to 15 hours a week is not bad.
The other day I went to a school in Harlem to talk to some 7th graders [12-year-olds] and I said, ‘If I have to give you some advice, the most important thing is: the sooner you become your own best friend, the better your life will be,’?
You make your own kinds of mistakes, and I’m sure you’ll have your share of regrets in life. But commitment was never your problem, sweetie. You have a better chance of making this work than most forty-year-olds I know. My little middle-aged child. Luckily, you seem to have found another old soul.
Fascism is fundamentally and at bottom an aesthetic conception, and . . . it is your function as creators of beautiful things to portray with the greatest efficacy the sublime beauty and inevitable reality of the Fascist ideal.
[F]riends praise your abilities to the skies, submit to you in argument, and seem to have the greatest deference for you; but, though they may ask it, you never find them following your advice upon their own affairs; nor allowing you to manage your own.
I think my shows can draw an audience of 12 million because I ask, 'What can make a 7-year-old, a 17-year-old, a 30-year-old and a 77-year-old laugh?'
Such a strange thing, to hold a six-year-old's hand. Especially a six-year-old you've only just met. A toddler will grab hold of your finger, and someone your own age will clasp on to your whole hand, but with six-year-olds it's something in between, this acknowledgment that they can't be the one to take hold, so you have to do all the holding, folding your hand around theirs, feeling so much bigger and responsible.
Do not become paralyzed and enchained by the set patterns which have been woven of old. No, build from your own youthful feeling, your own groping thought and your own flowering perception.
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