A Quote by Rutger Bregman

What the underdog socialist has forgotten is that the story of the left ought to be a narrative of hope and progress. — © Rutger Bregman
What the underdog socialist has forgotten is that the story of the left ought to be a narrative of hope and progress.
The world view of the underdog socialist is encapsulated in the notion that the establishment has mastered the game of reason, judgment and statistics, leaving the left with emotion. Its heart is in the right place.
And so I write this for you, My Sarah. With the hope that one day, when you’re old enough, this story that lives with me, will live with you as well. When a story is told, it is not forgotten. It becomes something else, a memory of who we were; the hope of what we can become.
There's a reason the Exodus story has inspired so many Americans. It's a narrative of hope.
Well, let’s start with the maxim that the best writing is understated, meaning it’s not full of flourishes and semaphores and tap dancing and vocabulary dumps that get in the way of the story you are telling. Once you accept that, what are you left with? You are left with the story you are telling. The story you are telling is only as good as the information in it: things you elicit, or things you observe, that make a narrative come alive; things that support your point not just through assertion, but through example; quotes that don’t just convey information, but also personality.
A first-person voice helps to ensure the uniformity and cohesiveness of the narrative; it gathers unto itself incidents and characters in its unstoppable progress toward the story's end.
In order for a narrative to work, the primary character should have a concrete desire - a need that drives her story - and the story's writer should make this goal known to the reader pretty early in the narrative.
I don't believe that the Democratic party has anything to do with the Left. We have two political parties in the US: a right wing party and a right centrist party. That's the Democrats. I laugh when people describe Barack Obama as a socialist president. As a socialist musician, I'll tell you when we have a socialist president. We don't have one now, not even close.
America champions the underdog. We champion the underdog until he's not the underdog anymore, and he annoys us.
But a man is not forgotten, as long as there are two people left under the sky. One, to tell the story; the other, to hear it.
How many times do you read about 'the Cinderella story,' the story of the underdog, the story of the ordinary human being, often subjected to cruelty and ignorance and neglect, who somehow triumphs?
During his brilliant campaign, President Obama wove a powerful narrative about the American we all hope for. And that hope was grounded in a very powerful reality: President Obama's own inspiring life story.
May I forget what ought to be forgotten; and recall, unfailing, all that ought to be recalled, each kindly thing, forgetting what might sting.
While the story about the hunt for bin Laden has been exhaustively reported and the key sources and witnesses are in agreement about the main points of the narrative, of course, it's still possible that we could learn new details about the story that would add to the narrative.
The story of Airbnb is really the underdog story in many ways.
In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.
I do think the challenge, in a way for me, is to write a narrative film and when you finish watching it you feel like it's a collage. You tell the narrative, you tell the story, but you feel like you've created this tapestry. But it also has a shape, a story.
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