A Quote by Ruzwana Bashir

I fell in love with commerce and the opportunities that come with compelling visual storytelling. — © Ruzwana Bashir
I fell in love with commerce and the opportunities that come with compelling visual storytelling.
Writing is more about imagination than anything else. I fell in love with words. I fell in love with storytelling.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
Storytelling is storytelling. Good stories need compelling characters and interesting conflicts. That's the bottom line no matter what medium you're writing for.
Because storytelling, and visual storytelling, was put in the hands of everybody, and we have all now become storytellers.
I love storytelling, I love being a visual person, and it just made perfect sense to be an underwater photographer and explore the ocean and work with scientists.
It's about love and loss, it struck me as a meaningful and compelling story, and the shifts in reality offered up strong visual possibilities.
I fell in love with filmmaking. I fell in love with criticism. I fell in love with theory, and it made me really dogmatic in my approach to choosing roles.
I achieved perfection, my type of perfection - visual storytelling. Storytelling was my style.
Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.
In the not-too-distant future, commerce is just going to be commerce. It won't be online commerce or offline commerce. It's just going to be commerce. And that will happen because of the phone.
But I think we're also just talking about the literacy of the audience. The visual literacy of the audience. They've seen so many images now, especially here in the States. There's so much to look at, to watch. So the visual storytelling literacy is harder to impress.
What I fell in love with as a child was 'My Fair Lady,' 'Funny Face,' 'American in Paris,' and 'Singin' in the Rain.' Just perfect movies to me and I was dancing. I started ballet when I was three. And I fell in love with those movies and fell in love with Audrey Hepburn and Leslie Caron.
I thought I would be at United for a couple of years, maybe three or four, and then go abroad somewhere. But I just fell in love with Manchester United. I fell in love with winning, fell in love with the history of the club and being part of it was something I could never have imagined.
When I was a kid, it was thought I would do something in the visual arts because I was always drawing, but when we emigrated to Australia from Holland when I was seven, I learnt the English language, and I fell in love with it.
I come from a family of storytellers. Growing up, my father would make up these stories about how he and my mother met and fell in love, and my mother would tell me these elaborately visual stories of growing up as a kid in New York, and I was always so enrapt.
Visual storytelling is at once immediate and subversive.
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