A Quote by Ryan Coogler
Coming up in the Bay Area and being African American in a city that has a history of complex issues of violent crime, interaction with the police is always intense. That's something you have to learn. My mom taught me at a young age that if ever a cop stops you, you put your hands up and freeze - don't move.
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Dad was involved in a lot of crime and the police were regularly coming to our door looking for him. From the age of three he always made sure I had a football and he'd make me play with much bigger kids. But he'd tell them, 'Kick him and if he moans he'll come in.' So I got taught to grow up very quickly.
In Crash, you've got a pathological cop who at the end justifies police brutality. He tells the naïve, young cop that you're going to end up the same as him. He's the most sympathetic character in the movie. So, the naïve cop ends up murdering this Black kid and tries to cover up the evidence. It sort of justifies police brutality and the planting of evidence which is what happened in the O.J. Simpson case.
When African-American police officers involved in a police action shooting involving an African-American, why would Hillary Clinton accuse that African-American police officer of implicit bias?
Coming up in the African-American culture, we were taught that we belonged to the universe and society was wrong in the way it dealt with us. We had to learn to express and affirm values not from the winning position.
My mom was a teacher. In the 1960s and '70s, she taught history at two largely African American public high schools in Washington, D.C. - McKinley Tech and H.D. Woodson. Her example taught me the importance of equality for all Americans.
If an African-American or a recent immigrant - or anyone else, for that matter - can't feel secure walking into a police station or up to a police officer to report a crime, because of a fear that they're not going to be treated well, then everything else that we promise is on a shaky foundation.
But music raises a lot of issues. Music is something that matters to people a lot, and they put a lot of passion into it. And I think when you have an area like that, you're gonna find a lot of issues coming up.
From a very young age, my parents taught me the most important lesson of my whole life: They taught me how to listen. They taught me how to listen to everybody before I made up my own mind. When you listen, you learn. You absorb like a sponge - and your life becomes so much better than when you are just trying to be listened to all the time.
What I really love about the Bay area sound is that it's very unique and that's something I want to strive for, as an artist. It's easy to get caught up in what's trending, but Bay area rap stays true to the local sound.
One of the things about my sport that's important is consistency - being able to do your routines consistently and training consistently. If you change it up or try to make everything more intense because the Olympics is coming up, you tend to put too much pressure on your mind and your body.
The murder clearance rate now in my city Baltimore is almost non-existent. Nobody can solve a murder, nobody can do any actual police work, because they've learned how to do bad police work, chase drugs. Fighting vice, while being unable to respond to sin. Generations of cops have learned how not to police work by policing the drug war. Not only are they police brutal, they're ineffective. Baltimore is more violent than it has ever been in modern history.
I have always loved the Bay Area. I spent a lot of time in the Bay Area. I started my career there. That's a huge part of the excitement for me.
I was taught from a young age that many people would treat me as a second-class citizen because I was African-American and because I was female.
Do I think police chiefs, many of which are African-American or Hispanic, wake up and say, 'Let's systemically oppress African-American communities?' No, I don't. Are there instances in which that happens? I'm sure there are.
I joined Bayern at the age of 11, and from then on it was all about being up to the competition. It doesn't matter who you face, you are always the favorite. You learn this at a young age. And this continues throughout your career at Bayern Munich, you are always the favorite or one of the favorites in every competition you are involved in.
I'm from a very violent city. I'm from New Orleans, Louisiana, and it's good to see me be able to express my art, have a good opportunity for my life, make history and say something, without being violent.
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