A Quote by Ryan Gosling

I need a break from myself as much as I imagine the audience does. — © Ryan Gosling
I need a break from myself as much as I imagine the audience does.
I've lost perspective on what I'm doing. I think it's good for me to take a break and reassess why I'm doing it and how I'm doing it. And I think this is probably a good way to learn about that. I need a break from myself as much as I imagine the audience does.
I make some movies for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine that I'm an audience member. I would lose myself too much if I thought of myself as the audience. There are other types of genre films that I need to be able to direct from the audience, to be right next to you watching the picture being made.
Radio helps DJs break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.
Radio helps you break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.
Running taught me to have faith in my skills as a writer. I learned how much I can demand of myself, when I need a break, and when the break starts to get too long. I known how hard I am allowed to push myself.
It does not take much to imagine the humanity of people you don't know. An American author does not need to know a word of Arabic to write a book like the one I wrote.
Do you need an audience to create work, or does not having an audience liberate you and make you a truer artist?
I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
I think sometimes I get carried away, like I'm speaking to an imaginary audience rather than just trying to figure something out for myself. Ideally, I try to balance that - that I'm asking these questions of myself, how does this work, why does this happen, what's going on here.
It wasn't so much that I was all alone on stage, but it was the realization of how much you need the response-you need the audience to tell you where to go.
It wasn't so much that I was all alone on stage, but it was the realization of how much you need the response-you need the audience to tell you where to go
There are a lot of people who are unable to take a break to clear their minds. I imagine they are the ones who need it the most.
Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.
To me, a performance is a military operation; it requires so much planning, and then ripping up the plan the minute you get there because you have no idea what the audience is feeling. I'm very much an entertainer, and sensitive to the audience's perception of me. I often have to do unexpected things, even for myself.
Some movies I make for myself. I just sort of make them for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine I'm an audience.
Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
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