A Quote by S. S. Rajamouli

I'm well aware that I have put my actors in difficult positions because of my vision, but when they see I work for the betterment of the product, they understand the pain I put them through.
Sometimes, when I have to learn the lines in German and French, it's that much more difficult because it doesn't just sink in automatically, organically. I have to memorize it. It's a tricky thing, as well, as when you improvise, sometimes you want to say something but you don't know how to put it. It's more difficult than in your mother tongue. It's a challenge but, at the age of fifteen, I put myself up for it and I was aware that it would be an obstacle and many times.
I think that the actors that I work with feel safer with me. Because they know I understand what they go through and I don't see them as chess pieces.
You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background.
One way to get very humble is to dedicate the work you're going to do to your community. And by community I mean that community you have a special vision for, that only you see, that no one else in a room sees. That special community in pain, that through a pain you've suffered, you're able to have that vision, that super-ray vision.
I was put through piano lessons when I was a kid. I say 'put through' because it was fun and I loved it, and it's been beneficial now, but it was difficult because, although I can read music, I much prefer just playing and improvising and at least finding my own way to play an instrument.
It's not enough to be aware of the domain you're working in, you need to understand it. Noticing things and being curious about how they work is the single most common trait I see in creative people. Once you can break the components down, you can put them back together into something brand new.
I like to be aware of a book as a piece of writing, and aware of its structure as a product of mind, and yet I want to be able to see the represented world through it. I admire artists who succeed in dividing my attention more or less evenly between the world of their books and the art of their books . . . so that a reader may study the work with pleasure as well as the world that it describes.
I'm wary of artistic directors who say, 'Here is my vision', because it's empirical. Basically it's about who you work with and what plays you put on; the vision comes out of that.
I had a vision how it should sound and I put all my knowledge into this product and it is a fantastic product. People still tell me that I have the best musical thing there.
By community I mean that community you have a special vision for, that only you see, that no one else in a room sees. That special community in pain, that through a pain you've suffered, you're able to have that vision, that super-ray vision.
Actors put ourselves in awkward positions all the time.
You need to set near-term milestones. Put the assumptions down on paper, and make it to your vision or ultimate product. Your team has to understand where they're going. Your partners need to understand where they're going.
You can put together an album with a bunch of producers, but your vision has to be clear. If you just grab a track from this person and this person and put them on a CD it doesn't mean that they go, just because you are rapping over them.
Marvel has put out good product. DC has put out good product. Even Image has put out good product, as far as I'm concerned... although it's few and far between. But it's not getting recognized, no matter who's doing it.
I want women to see, especially us big women, that you don't have to let them cut you and suck it out. You don't have to let them staple you up. You don't have to let them give you a pill. You don't have to let them put a band around your organs. If you just put the work in, baby, I promise you, it comes off.
One incredible tool to accomplish bringing a product to the public is to put a face on TV shows, movies, and the actors in them by using good PR.
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