A Quote by S. S. Rajamouli
To be very frank, I never got very good offers from Hindi cinema until 'Eega.' Now, I'm flooded with offers.
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I got good offers from Bollywood because I can speak Hindi very well.
Post 'Chennai Express,' I got several offers from Hindi cinema, but nothing substantial came my way.
I do not want to be a part of Hindi cinema's rat race. But yes, if I get offers and characters which I feel would suit me as well as make some difference to me, I will do a Hindi film.
I do not get that many offers in commercial cinema, to be very honest.
Until we got married, Radha didn't utter a word of English and now she won't speak Hindi. Her Hindi's pretty good actually - she learnt it while watching Hindi movies.
The newspaper offers something very different from Google's aggregators. It offers a value system, an idea of what matters in the world. Newspapers need to start articulating that value.
Ever since I gave the nod for Chattakari,' I've been flooded with offers from the Malayalam film industry, like never before.
Everyone thinks offers are always pouring in. Offers have never poured in. Never. I was auditioning a lot, but I didn't get the jobs.
At the very least, noir offers an alternate reality - moments of real passion, a bleak code of honor, and a need for freedom amid corruption. At its best, noir offers a map of subversion.
Because of what I did in Punjabi cinema, I have got offers in Bollywood.
A good teacher offers practice, a bad one offers theories.
I got a lot of exposure because of 'Eega,' as the film was released in Tamil, Hindi, and Malayalam.
I have so many good offers in my country or, let's say, in Europe. I just wait for the best offers, like I always did. And if this can be in Hollywood, why not?
I remember breaking the news to both my parents that I wanted to be a director, and they both looked very doubtful. They didn't know what a closet Hindi film buff I was. I used to dance to old Hindi films songs on the sly, so my decision to be a part of Hindi cinema was shocking even for my parents.
We got offers to make sequels to both 'Shaun of the Dead' and 'Hot Fuzz,' and they never really interested us because we like having these endings where it seems very final but could hint at some kind of future adventure that you'll never see.
For years after 'The Last Waltz,' I got all kinds of silly movie offers - or, maybe, not silly, but parts that are not my calling... lots of offers to play some wonderful boyfriend.
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