A Quote by S. S. Rajamouli

After 'Maryada Ramanna,' I wanted to make a quick film on a shoestring budget. — © S. S. Rajamouli
After 'Maryada Ramanna,' I wanted to make a quick film on a shoestring budget.
I wanted to complete 'Maryada Ramanna' in a short time, but it took me almost a year, and now 'Eega' took double the time, but in the end, it was worth it.
'Baahubali' team is not after numbers. If we would have been number guys, we would have never made a film with such a huge budget. We just wanted to make the biggest war film of this country, but what it has achieved is amazing.
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I have on a big budget film as well, but they're just much bigger.
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I I have on a big budget film as well, but they're just much bigger.
I remember the Food Network when it was first starting out: Emeril Lagasse and all those people who helped make it when it was on a shoestring budget. It actually encouraged me to start cooking.
The bigger the budget, the less an audience is trusted, and that's the difference between a big-budget film and a small-budget film.
I went for a six-month trip around the world on a shoestring budget.
We embrace the shoestring budget. We like being limited by the constraints. It inspires creativity. I don't know what we would spend money on. We don't hire actors. We see budget constraints as a personal challenge. We're like survivalist local commercial directors.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
The only difference between working on a huge-budget film and a lesser-budget film, is the quality of lunch and dinner.
I always cooperate to complete a film within the budget. Not a single film of mine has overshot its budget.
After I did Untamed Heart I wanted to do a film that was outrageous. I really wanted to do, you know, a performance. I don't want to allow my image to rule the choices that I make.
I was hoping that I could one day get a job at Quik or Billabong working on their videos. So I made 'Momentum' on a shoestring budget for fun and sort of a resume to work for others.
I wanted to try every style available to me - large productions, small productions, studio films, low-budget. You just can't sit around and wait for every big-budget film to come along.
Sonali Cable' is not a low budget film, it's a normal budget film.
With independent film, simply because they don't have the money to make a big-budget film, they're forced to make a story that's important to them, that they would like to see on film, a personal story that people can relate to, about people, where you can see the love of the characters.
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