A Quote by S. S. Rajamouli

If someone makes an inroad into a new territory, a new market, people will follow their success. That way, I think we will be getting more pan-India films and not restricted to a region or a language. More and more films will come out on a bigger budget, on a larger-than-life scale.
The way the Indian cinema is going, I think more and more films on new topics will be encouraged by the audience.
People working on bigger ideas on a more protracted timeline will be more on the stealth side. They aren’t releasing new PR announcements every day. The bigger the secret and the likelier it is that you alone have it, the more time you have to execute. There may be far more people going after hard secrets than we think.
I'm pretty optimistic that in the future these kind of films will also be part of the main categories, perhaps not in a foreign language, but certainly more socially and politically engaged films, or films that will happen where the story takes place outside the United States.
I think the best way is to keep stressing, that, as we build out a new energy system, one of the best things about it, if we do it right, will be that it will be more local, more democratic, more distributed, and, in the long run, much more economically sensible.
Multiplexes are being very unkind to small films. They are giving a lot more space and value to the big budget films rather than distributing show timings fairly. But that fight will go on.
In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.
L.A. films are hard to define compared to New York films because New York films are their own subgenre, in a way. L.A. is more transparent.
Bigger-budgeted films have more restrictions and less freedom to create. Because of this, I try to find freedom in the people I work with. I often work in ways I don't want to. It's more about controlling the situation. Lower-budget films are freer.
Difference of thoughts will produce difference of language. He that thinks with more extent than another, will want words of a larger meaning; he that thinks with more subtilty will seek for terms of more nice discrimination; and where is the wonder, since words are but the images of things, that he who never knew the original should not know the copies?
Sharing makes you bigger than you are. The more you pour out, the more life will be able to pour in.
Even American artists are terrorized by market forces. If one can't see the films, my wings are clipped. I am no longer concerned about this, because I'm focused on making films. Perhaps one day someone who discovers sunken treasures will reexamine my 35 or 36 films - I hope it will be 40 or 50 before I die.
India for sure is a mobile-first country. But I don't think it will be a mobile-only country for all time. An emerging market will have more computing in their lives, not less computing, as there is more GDP and there is more need. As they grow, they will also want computers that grow from their phone.
In the 21st Century, the community of nations may see more and more of this very kind of threat that Iraq poses now - a rogue state with biological and chemical weapons. If we fail to respond, Saddam and all those who follow will believe that they can threaten the security of a vital region with impunity. But if we act now as one, we will send a clear message to would-be tyrants and terrorists that we will do what it takes to protect our security and our freedom in this new era.
There is an opportunity to consolidate the North American region as a more competitive region, a more productive region that will be more competitive than other blocs that have integrated in the rest of the world.
Come to think of it, some of the most special films in my career were 'City Of Life' and 'Happy New Year.' For both these films, I stayed over a month in Dubai and just when I was thinking that I need one more film like that, that's when 'Kung Fu Yoga' happened.
The next time someone tells you we can trim the budget by cutting aid, I hope you will ask whether it will come at the cost of more people dying.
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