A Quote by Saara Aalto
I don't want to sing about going to a party with friends, I want to sing meaningful songs that can inspire people and I think Sia's songs are really deep. 'Chandelier' is about young girls who think they have to please others to be loved and that really touched me.
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I don't want to sing songs that aren't worth while. Time is so rare. I just don't want to waste the listener's time and I think that my songs don't do that. That's what I pray for. I want songs that really touch people's hearts.
I don't want to sing boring pop songs - I want to sing songs that are meaningful to me.
I've always wanted something that the message is meaningful to me. I think about all these diversified personalities, people, and countries that I play. I'm simple, and I want to be able to sing my songs to anybody.
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.
You hear people sing songs about when they really can't stand anyone anymore or you hear people sing songs about when they really love someone and they really love them.
I think being married and in love and all of that changed how I write songs and what I want to sing about and the type of songs that I like.
I want to sing more in Spanish. I want to sing the songs of Granados; the songs of Montsalvatge. To do things that truly I've not done before.
Playing on the streets of Iraq, or in Israel or the Gaza strip, I'd sing angry protest songs against war. People would say, 'Make us clap, make us dance, and laugh and sing.' It really made me think about the importance of happy music.
I could stand out front and sing Eagles songs that I sing in my set, but I think people enjoy watching me sing and play the drums. It seems to fascinate people. I don't know why.
I think I have patient fans that want quality over quantity. It's more important to me that the project be the best that it can be and the realest it can be rather than rushing a whole bunch of generic songs, because I could do that. I could just put together some songs real quick that I really like. I only write and I only sing for a purpose, so if its not then, it's not going to be rushed.
Since I am an avid singer and a lot of my fans want to hear me sing, I thought it will be really nice to sing my songs online so that more people could watch me, and I thought digital is the best way to connect with everyone.
I don't want to be an artist; I don't really want to sing - though I do sing on a few songs. But I want to be the guy that presents new music from both new artists and established artists at the same time.
I don't just want to sing about simplistic things all the time. It's good to have a mix of songs that have a real depth, and that provoke and challenge people, and then songs that are fun and people can enjoy.
I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.
I don't know what makes a guy want to write songs and sing, but if you've got a message, you want to get it across. When I come up with an idea about the way I feel, I can really state it strongly in a song.
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