A Quote by Saint-John Perse

It is enough for a poet to be the guilty conscience of his age. — © Saint-John Perse
It is enough for a poet to be the guilty conscience of his age.
It is necessary for us to explain the involuntary repugnance we possess for the nature and personality of the Jews. The Jews have never produced a true poet. Heinrich Heine reached the point where he duped himself into a poet, and was rewarded by his versified lies being set to music by our own composers. He was the conscience of Judaism, just as Judaism is the evil conscience of our modern civilization.
The individual who dares commit a crime is guilty in a two-fold sense; first, he is guilty against human conscience, and, above all, he is guilty against the State in arrogating to himself one of its most precious privileges.
It's very important to me to be an American poet, a Jewish poet, a poet who came of age in the 1960s.
My conscience is clear, because I know that in my conscience and in front of God I am guilty of nothing. I hope human justice will see at the same way.
Public opinion contains all kinds of falsity and truth, but it takes a great man to find the truth in it. The great man of the age is the one who can put into words the will of his age, tell his age what its will is, and accomplish it. What he does is the heart and the essence of his age, he actualizes his age. The man who lacks sense enough to despise public opinion expressed in gossip will never do anything great.
If any speak ill of thee, fly home to thy own conscience and examine thy heart. If thou art guilty, it is a just correction; if not guilty, it is a fair instruction.
A poet or philosopher should have no fault to find with his age if it only permits him to do his work undisturbed in his own corner; nor with his fate if the corner granted him allows of his following his vocation without having to think about other people.
A clear conscience is, for me, an occupied conscience-never empty-the conscience of a man at work until his last breath.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
There is just as much evil in all of us as there is good. We're all continuously guilty, even if we're not doing it intentionally to be evil. Here we are sitting in luxury hotels, living it up on the the backs of others in the third world. We all have a guilty conscience, but we do very little about it.
What is a great man who has made his mark upon history? Every time, if we think far enough, he is a man who has looked through the confusion of the moment and has seen the moral issue involved; he is a man who has refused to have his sense of justice distorted; he has listened to his conscience until conscience becomes a trumpet call to like-minded men, so that they gather about him, and together, with mutual purpose and mutual aid, they make a new period in history.
I have always admired him (Bergman), and I wish I could be an equally good filmmaker as he is, but it will never happen. His love for the cinema almost gives me a guilty conscience
[D]on't grow old. With age comes caution, which is another name for cowardice.... Whatever else you do in life, don't cultivate a conscience. Without a conscience a man may never be said to grow old. This is an age of very old young men.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Every great architect is - necessarily - a great poet. He must be a great original interpreter of his time, his day, his age.
Why should the composer be more guilty than the poet who warms to fantasy by a strange flame, making an idea that inspires him the subject of his own very different treatment?
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