A Quote by Sally Ride

I haven't written my memoirs or let the television movie be made about my life. — © Sally Ride
I haven't written my memoirs or let the television movie be made about my life.
There's been more written about Lincoln than movies made about him or television portraying him. He's kind of a stranger to our industry, to this medium. You have to go back to the 1930s to find a movie that's just about Abraham Lincoln. I just found that my fascination with Lincoln, which started as a child, got to the point where after reading so much about him I thought there was a chance to tell a segment of his life to to moviegoers.
Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.
If you've written it you know exactly; whoever you're playing if you've written it you already know it. As a matter of fact, you've already made the movie if you wrote it. You've made it in your head.
Lately I've been thinking about the idea that all novels are, at least in some way, about the process of writing a novel - that the construction of the book and the lineage of people constructing novels are always part of the story the author is telling. I think the equivalent for memoir should be that all memoirs are, in some way, about the process of memory. Memoirs are made out of a confusing, flawed act of creation.
Men's memoirs are about answers; women's memoirs are about questions. Most male authors want to look good in their memoirs and have a place in posterity, while most women know that posterity is what happens when you no longer care. Women want to connect with others here and now; they couldn't care less about legacy!
Most memoirs about alcoholism, promiscuity, and addiction are deep, sobering tales full of scars that will never heal and include alarming statistics and reflection about recovery.This is not one of those memoirs.
Much of my publishing life was consumed by the memoirs of movie stars - or by attempts to get them to write a memoir.
"Admission" is Paul Weitz's movie. This is Karen Croner - the screenwriter's - movie. To have such a lovely role in such a beautifully written script offered to me, it's like elves made the shoes.
I do think, even though I've made these genre movies, there's what happens in the movie and then there's what the movie's about. And for me, what the movie's about is so much more interesting.
I had written movie scores, television series, played with other people. Carl had done the same with Asia, with other bands, everything. We weren't about to entrust Greg automatically with a production credit.
You need to learn that, unless your lead character is written in a way that one of the 20 movie stars want to play him, your movie will not get made.
History is written by the victors, but it's victims who write the memoirs.
I've written three books you could think of as memoirs.
When I'm dealing with the 18th century, as I do in 'The Firebird,' the difficulty isn't only finding what a woman did, it's finding her at all. Most of the sources I'm dealing with - letters and memoirs and written reports of the day - have been written by men.
You always have to give back to the fans. I remember being a fan of television and film when I was growing up and if I would've had the opportunity to meet somebody that I watched on television, it would've made my day, it would've made my life.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
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