A Quote by Sam Esmail
On 'Mr. Robot,' because I run the writers' room and know every decision behind every line of dialogue, I'm able to be nimble and adapt with the scripts and the moments. I never have to question what I'm doing as I'm directing the actors or going through the scenes.
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When you're doing physical comedy, everybody's involved, not just the actors. Everybody's behind the scenes following them, and we've got Jillian the cinematographer running after them, then we've got three guys behind her who are cable-wranglers running with her so she doesn't trip on it. Every day was a mad-dash to the finish line. Every day was so stressful. Every day was so fun.
Directing myself definitely made me a better actor. And, you know, I think actors have the best track record when they turn to directing. Writers, too. I knew how to direct actors because I've been there and I know what I like.
I think that you have to have a really specific type of personality to be able to both direct and act, because it requires enormous shifts in perspective. I mean, when you're directing, you're looking at the world through a wide-angle lens, and you're seeing all of it. You know exactly what's happening in every corner of it. You know what people are going to say. You know what they're going to do. You're controlling everything.
It's different to have your head coach be in the offensive meeting room going through every play, every detail to every guy, telling them why they need to run this way or what this concept is.
On TV, you never know where it's going. They may even lie to you about where it's going. You never really know because the scripts come in every couple of weeks or so.
If people call into question my work ethic, that's fine, because I know what I'm doing behind the scenes.
The intimate conversations have its moments, because you have to sell the characters, because there is so much going on. It's so easy to get lost in the special effects and forget about the performances. The dialogue scenes have been great. It's been great working with Bryan and the writers to find where we're going and what's the story. Yeah, it's been really, really interesting.
I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
Before we started shooting 'Homecoming,' we were in the writer's room for 'Mr. Robot.' I was also editing Season 3 of 'Mr. Robot' while I was prepping for the 'Homecoming' shoot. So yeah, it's a lot of hats.
When you're doing a pilot, you're doing it in this bubble that almost works against the creative impulse. You don't have time to get to know the actors first, and you have three writers, as opposed to a room full of writers.
If you are a certain kind of hands-on learner and have been in a writers room and know how scripts get made, and you know what pre-production is, then mostly it's making sure the actors get what they need, and you are providing creative oversight while allowing room for everyone else to own the material, too.
There is a reality to the way the actors play the scenes, given that there is a real, animatronic, moving robot in the room. So the level of nuance and realism in performance was higher because we built the real ones, and it keeps the visual effects guys honest.
A lot of what you're seeing these characters go through is something that either is a story one of the actors told in the writers' room or one of the writers themselves told in the writers' room.
Behind every problem, there is a question trying to ask itself... Behind every question there is an answer trying to reveal itself. Behind every answer there is an action trying to take place. And behind every action there is a way of life trying to be born.
Your spirit is the duster of any spider web. Behind every finish line, there is a start one. Behind every success, there is another challenge. While you are alive, be alive. If you miss what you once did, do it again. Don't live in yellow photos... Continue although everyone expects you to give up. Don't let oxide the iron that is inside you. Do that instead of pity, and they will respect you. When because of years you cannot run, jog. When you cannot jog, walk. When you cannot walk, use a cane. But never stop!
They're amazing, these actors who have worked on soaps for years and years and years. They know what they're doing. They don't hold you word-for-word on every line and you can fudge it a little, but they know what they're saying and they repeat it every time they come on.
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