A Quote by Sam Esmail
I always thought the writing process for movies and TV shows was just a blueprint. The making of it was the thing.
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I fell in love with movies as a kid. I had been making shorts and making TV and making commercials and it's such a difficult, weird process of trying to wing your first feature, especially if you're not going to go and just have a Kickstarter and do it on your own.
I love voiceover. I never understood this idea that it was lazy. Well, yes, there are those movies or TV shows that use it as just a way to get out exposition. But you know what? That's just bad writing.
I do think there's probably a little more opportunity to direct in television, because there are just so many TV shows. In movies, it still feels harder to break in. I do hope that's shifting. The difference between TV and miniseries and movies is also diminishing.
Since I began making movies, I've always looked for screenwriters instead of going through the long and painful process of writing.
If I wanted to do TV full-time, 'Breaking Bad' is definitely the type of project I would want to do. But TV is not my favorite thing in the world. I definitely want to focus on film. It's what I grew up loving. It's always been about movies, movies, movies, movies, movies. I really want to make great films.
As an actor, as much as I'm interested in how you make movies and TV shows, even as a kid, I've always hated making of featurettes and special features on DVDs. I think it breaks the spell.
I was always working. Maybe you weren't aware of the movies I was making, or the television I was doing, or the shows I was creating, or the books I was writing; there have been thirty. But I have always been solidly at work, running as fast as I can.
I see myself directing, writing, doing my own TV shows and movies.
I didn't start writing songs, honestly, until I started making my album. I was always doing poetry, but I never thought I could write songs. I discouraged myself and thought it was so hard. But starting this process and learning just what it is to be a songwriter and performer taught me that you don't have to feel discouraged about anything.
When the companies started making made-for-TV movies, people thought it was a fluke. Who would watch that? Because it's in your TV screen and not in a theater. Remember that?
I never thought I was going to make a movie about men. I've always thought we don't have enough movies about women, and if I spent my whole life making movies only about women, there still wouldn't be enough movies about women, so that's a wonderful thing to dedicate my career to.
During the entire process of making this film I never thought about whom I was making it for. I always thought that the film was for me, but I didn't think of any of that. I just did what I thought I had to do. I didn't think, "This is what children are going to think" or "This is what adults will understand."
Writing pilots is such a specific thing. It's not even really writing TV shows. A pilot is its own beast.
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
I'd like to do more TV; TV is completely different than working in movies in a lot of ways, it's like making a really compact movie. Because you don't have as much time, especially hour long shows, they move so quickly.
We're just gonna keep making things and challenging ourselves to make them more cheaply and more renegade and more interesting. That's the only thing we might challenge ourselves to do in the age of so many movies and so many TV shows. We're aware that we're asking time of people to watch stuff, and that there's so much stuff to watch, so we're gonna try to offer you something unique. And it may not always succeed, but it will definitely be different.
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