A Quote by Sam Esmail
I use voiceover just like I use dialogue. There's a way to give out information or give out insight to the character or give out their worldview, and maybe you have to slip in exposition, but it's all about how you write it.
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I like the process of giving control away [at the recording]. When you give it up to people, it's another intelligent organism that digests your information completely differently from how a machine digests information. It's like you're on a sailboat, and every time you can find out how to better adjust [the sail] to make it more precise. And it's interesting to see that the musicians have their own ideas. To use their intuitive power with their knowledge that they incorporate into the music. This is the moment you give away control, you give it to someone else's intuition.
I love voiceover. I never understood this idea that it was lazy. Well, yes, there are those movies or TV shows that use it as just a way to get out exposition. But you know what? That's just bad writing.
In the world take always the position of the giver. Give everything and look for no return. Give love, give help, give service, give any little thing you can, but keep out barter. Make no conditions and none will be imposed on you. Let us give out of our own bounty, just as God gives to us.
(and Catholics give out forgiveness at about the same rate as politicians give out promises and whores give out)
Many writers struggle with exposition in their novels. Often they heap it on in large chunks of straight narrative. Back story – what happens before the novel opens – is especially troublesome. How can we give the essentials and avoid a mere information drop?
Use dialogue. First, create a tension-filled scene, usually between two characters. Get them arguing, confronting each other. Then you can have the information appear in the natural course of things.
I want people to be inspired to do what's in front of them. If you won't give a dime out of a dollar, don't talk to a billionaire about giving their money away because if you don't give a dime out of a dollar, I can promise you, you're not going to give a 100 million out of a billion. It's a lie.
Money is not the only commodity that is fun to give. We can give time, we can give our expertise, we can give our love or simply give a smile. What does that cost? The point is, none of us can ever run out of something worthwhile to give.
We would have to give out something for the poor in India. It is my responsibility to give the people an account of every rupee. I will use it at right places. I won't let it get stolen.
These people who are making a big deal out of gay marriage? I don't give a fuck about who wants to get married to anybody else! Why not?! We're making a big deal out of things we shouldn't be making a deal out of. hey go on and on with all this bullshit about "sanctity"—don't give me that sanctity crap! Just give everybody the chance to have the life they want.
I give so much of myself on Sunday. I drain all the life out of myself out there. I get paid to play, to win, to give the city pride, so maybe everybody can forget for a little while how hard life is.
Give love, give help, give service, and give any little thing you can, but keep out barter.
The way I write music for other artists is the same way I write music for myself. I'll pick up the guitar, and I'll write music, and if I don't use it, I have, like, 500 other songs. If I don't use it, I give it away.
My real fear with fighting is just not letting it go out there and hang out. I don't fear other guys. I'm just scared I'm not going to go out there and give everything I have. Like I'm only going to give a fraction of the things we trained and worked on.
You can ask the people around me. I don't give up. I don't give up. I don't give - and it's not out of frustration and desperation that I say I don't give up. I don't give up because I don't give up. I don't believe in it.
You have to go out there and give a piece of yourself -- your life, your soul. And you better give the audience everything you can -- physically, emotionally, musically. Then maybe they'll accept you and give you a standing ovation at the end.
When you write a song, most of the words you use are in black and white, and then, from time to time, you use one that’s in color. These words in color are a part of ourselves, because we give them a meaning. If you like, we give them a third dimension.
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