A Quote by Sam Esmail

I think I was told numerous times in the industry that nobody wants to watch a guy on a keyboard. — © Sam Esmail
I think I was told numerous times in the industry that nobody wants to watch a guy on a keyboard.
A great story poorly told doesn't do anybody any good at all, and nobody wants to hear it, and nobody wants to read it. The craft of it is really more important than the subject matter.
Failure worries me; nobody wants to fail. There is a fear that one day, films will not come my way, or if someone doesn't watch your film, that is a worrying point. It is unpredictable in the industry.
I think that if you run a big company, you've got to, four or five times a year, just say, 'Hey team, look, here's where we're going.' If you do it 10 times, nobody wants to work for you. If you do it zero times, you have anarchy.
Who wants to kill you?” the guy asked. He was still looking over his shoulder, but his expression was puzzled. “There’s nobody there,” the girlfriend told me. “You’re making them think they can’t see you, aren’t you?” I said to Patch, awed by his power even as I despised his use of it.
Nobody wants to hear how I think I've been mistreated, or how I think my punishment should be lifted, or tweaked, or reduced. Nobody wants to hear me say that, nobody cares what I think about this. I get it.
God knows I'm a good guy, I'm known in the industry as a good guy. I'm not known to be a foul, evil dude that you've got to watch out for and my name is not muddy in the industry.
Everybody wants me to be the (guy) who's (sleeping with) every celebrity woman in the industry. Everybody wants me to be this (guy) in the club, popping 17 bottles just because. Everybody wants me to be Diddy, and that's not me.
The days of holding the audience captive to watching television at times that programmers tell them they have to watch it are coming to an end. It's a new world, where the viewer and fan wants to watch whatever they want to watch, whenever they want to watch it.
But think of the last guy. For one minute, think of the last guy. Nobody's got it worse than that guy. Nobody in the whole world.
There's times where you think, 'Gosh, what if nobody ever wants to hear what I have to say?'
I think what makes people fascinating is conflict, it's drama, it's the human condition. Nobody wants to watch perfection.
I'm cool with being the sad guy, but I don't want to be the guy who nobody wants around because he's so miserable.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
I thought the Wall Street Journal quote, they got a guy in Iowa to say I think exactly where I think this race is right now for a lot Republicans. He said, "Nobody in Iowa wants [Donald]Trump for president. But everybody in Iowa wants somebody like Trump for president." That's what you need.
Day 1, when I was drafted to the Toronto Raptors, they had this stigma on them: Every guy leaves. Nobody wants to be here. Superstars, nobody wants to play in Canada. From Day 1, my whole mindset and approach to the game, being in Toronto, was I wanted to change that whole narrative to that whole organization.
The guy who sits at the keyboard and types is so much smarter than I am. I think I got into writing so that I could spend as much time with that guy as possible.
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