A Quote by Sam Mendes
There have been screenwriters who I'm sure would gladly kill me, because I've been very fast and loose with their work, because I felt like it wasn't up to my high standards. I would push and pull it on set, and make changes all the time. But then when you're working with an original screenplay, my theater instincts kick in, and I suddenly become very keeper-of-the-words.
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I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
It has not been possible to build that society. It set very high standards, because not only would life in the Soviet Union or in any other country which adopted that system, have to be just as good as in the Capitalist world, it would have to be better. So that other peoples, other nations would want to join it, and obviously we have failed in that.
It's always been a dream of mine to do a voice for a Disney movie. I think Disney movies and theater are very closely related. That would be amazing. I don't know about doing a Broadway musical, just because I don't really know how people do it. You just work all the time. That's something that I would definitely have to work up to.
There was a concept a long time ago that you would do a different type of reactor called a "fast reactor," that would make a bunch of another element called plutonium, and then you would pull that out, and then you would burn that. That's called "breeding" in a fast reactor. That is bad because plutonium is nuclear weapons material. It's messy. The processing you have to get through is not only environmentally difficultly, it's extremely expensive.
The more new thinking I did, the more successful it seemed to me that I could become. When magazines are really working, and when websites are really working, they're doing new things all the time, and discovering new writers to do stories, different ways to package stories. I was always very aware that I was very lucky to be doing what I was doing, because I would get up in the morning, and go to work, and the days would fly by.
Had my dad not been short and fat and balding, there's no doubt his career would have been very different. But he could do lots of stuff and made a very good career out of it. He had an incredible work ethic because he lost his father when he was very young, and the family had to pull together.
Akon is a very talented songwriter to work with. His melodies, they're just insane. It's funny, I think about him a lot when I'm doing my melodies because he's so simple, and he's just been great. He keeps me on my feet, very grounded, but he also puts me on a silver platter, which is always very nice. So it's been an incredible influence. It's like every time you work with somebody that's better that you are, you become greater.
People come up to me at conventions and say, 'I was such an outcast, I felt like such a geek, and when I saw you, you made me feel like such a normal person.' It's my favorite thing to hear, because that's how I felt when I was a kid. If Goth would've been around, I would've definitely been Goth. But there wasn't such a thing, so I was just weird.
Every day, I make sure I do something active, whether I only have time to do a 20-minute walk or pull up a 15-minute barre video to going in the gym for two hours. But I am one of those people, I truly believe to always change up your workouts, because I can get bored very easy, which will then turn me off from working out.
I've always been singing and making noise. I used to do that all the time when I was a kid. My mom would get very frustrated with me because I would just sit around and make noises.
I've met people who've dismissed me, and then they find out that they like my work, and suddenly their attitude changes toward me. And I think that's very funny and very human. But it's also very unattractive.
My brother had been given a chemistry set for his bar mitzvah, but he wasn't interested in it. It was upstairs in the attic, and I would sneak up there and use it at great peril because I was afraid if he found out, he would get very angry at me, but he didn't seem to care.
I feel like the reason I ended up becoming a playwright is because I never choose the right word. As a kid, my fantasy profession was to be a novelist. But the thing about writing prose - and maybe great prose writers don't feel this way - but I always felt it was about choosing words. I was always like, "I have to choose the perfect word." And then it would kill me, and I would choose the wrong word or I would choose too many perfect words - I wrote really purple prose.
My mother always helped me because she was kind of a research fanatic. When she would write a screenplay, there would be so much research all over the walls. And so when I started working as an actress, I would do the same thing. She instilled in me a love of taking everything very seriously. It didn't matter what it was.
It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.
Nobody likes me!" "I wish I could like you, Charlie Brown, but I can't... If I were to like you, it would be admitting that I was lowering my standards! You wouldn't want me to do that, would you? Be reasonable! I have standards that I have set up for liking people, and you just don't meet those standards! It wouldn't be reasonable for me to like you!" "I hate myself for being so unreasonable!
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