A Quote by Sam Raimi
Rob [Tapert], myself and Bruce Campbell sat in hundreds of drive-insnot hundreds, but tens of drive-ins, watching these movies and learning how they were made, and we started to make our own in Super 8. And that’s really how we got into horror films. After a while we learned to really like them, and the craft that went into them.
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I think the mistake people make with horror movies and what makes them successful is a lot of horror movies get made by people who don't really like them, so they don't respect them. And when you like horror and have admiration for it, that community knows that what's important for a horror movie is important for every other kind of movie.
Around age 18, I decided to start writing my own stuff. I wrote some bad short films and shot them. I tried to make them better and better. I slowly learned how to make movies, and I think I'm still learning.
We've got a pretty close family. Just ended fourteen years of travel hockey with two boys. My daughter was always a part of that. So there's a lot of trips to the hockey games. As I tell idiotic, stupid, youth-sport parents, it's about the drive there and the drive back, not about the trophy or how your kid played. We've always had a good relationship with our kids. You're driving with them and talking to them at the age of eight. It became this adventure and they learned to love it. You connect, you really do. It's not for every family.
I stopped watching horror movies after I watched 'Candyman' when I was - I don't know, fifteen or something. I remember my sister rented it, 'Candyman,' and it really, really scared me. And so it was only after I found myself in a horror film that I really went back and kind of rediscovered the genre.
I only watch my movies that I make once, so I can just see how it hangs together, but after that, I don't watch them again. A lot of people have disappeared from Earth that you've worked with, and they make me sort of sad once in a while, and there's really no necessity for me to watch them. I've made them, and it's on film and that's that.
I think that others can drive a creature to naughtiness, always accusing and blaming them. After a while it must make the creature unhappy and drive him...to be naughty, because nobody expects them to be good.
I can do a backflip on the spot. I learned how from watching 'Ninja Turtles' movies as a kid. Whenever the Turtles got in trouble with their teacher, Master Splinter, he'd make them practice backflips as punishment - and I was so focused on becoming one of the Turtles that I taught myself how to do one, too.
I started driving really late. It was super freeing and fun to be able to just drive by myself. But the thing is, I don't really like driving.
The nations of the Middle East will have to decide what kind of future they want for themselves for their country and, frankly, for their families and for their children. It's a choice between two futures, and it is a choice America cannot make for you. A better future is only possible if your nations drive out the terrorists and drive out the extremists. Drive them out. Drive them out of your places of worship. Drive them out of your communities. Drive them out of your Holy Land. And drive them out of this earth.
Art historical reference is like learning to drive a car - you always know how to drive even though you're not analysing how.
I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.
After doing comedy for a while and knowing how hard it is to do physical comedy right, I learned how incredibly talented the Three Stooges really were after re-watching old episodes. They still stand up!
There where hundreds of graves. There where hundreds of women. There were hundreds of daughters. There were hundreds of sons. And hundreds upon hundreds upon thousands of candles. The whole graveyard was one swarm of candleshine as if a population of fireflies had heard of a Grand Conglomeration and had flown here to settle in and flame upon the stones and light the brown faces and the dark eyes and the black hair.
I read everything I could find in English - Twain, Henry James, Hemingway, really everything. And then after a while I started writing shorter pieces in English, and one of them got published in a literary magazine and that's how it got started. After that, graduate school didn't seem very important.
I was able to make up lots of portementos, literally hundreds and hundreds of words... See, I find that mine don't have any meanings. They're not proper. Although I've got a great dictionary of them. It's like the Cockney rhyming slang or something.
I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is 'The Shining.' I don't really like slashers, but I love thrillers with tension.
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