A Quote by Sam Raimi

I don't like shows, I don't like to put on a show, I just really want to work intimately with my actors. — © Sam Raimi
I don't like shows, I don't like to put on a show, I just really want to work intimately with my actors.
I know in Britain with 'Doctor Who' all the classic actors, and the people who you'd really want to, work on the show. I like that the fact that 'Torchwood' has actors that want to be involved from the stage. It has raised our game, and I'm just happy for good actors who want to be in sci-fi shows who love the genre.
Television is a completely different industry now. It's just extraordinary. It's so wonderful, because there's more interesting product. It attracts the best writers and directors. And one thing that's really interesting about it is that it used to be, if you were on a big network show, like it or not, you were a household face and name. And believe it or not, not all actors like that. That's not their goal. They just like being actors. And there are so many actors that are on hit shows that I have never seen, I've never heard.
I'm a really private person. I just love my work. I feel like celebrity has changed so much, in this culture. Ever since they started with those reality shows and people that aren't actors but they're really famous, it's gotten very different from when I started out. So, the idea of ever becoming more than what I had is not really what I want.
Between New York and L.A., and all of us who are actors, I feel like we're just one big, cast repertory company, all running back and forth between the coasts and between different shows. There is a wealth of great character actors, who show up, here and there, on different shows. I love the fact that we're allowed to do that.
I will talk to anybody about 'Survivor's Remorse' because I'm proud of the show and the actors and directors and the entire crew. I just like doing the work, and I want people watching the show so we can make more.
As I start to think about what I want to do next, there are eight or nine networks I would be thrilled to work with. I remember developing at FX and the executives there telling me, 'We don't want to do shows that 20 million people kind of like; we want to do the show that 2 million people really like.' That's such a refreshing thing to hear.
I just really like writing and making television shows. There are ego rewards in doing battle with other television programs in prime time in the main season. I suppose there are times when I might look at that and think that's the major league. But when you look at it, ultimately would I really want to gamble my livelihood and my ability to connect with my fan base or write a show that I really like writing, or in some cases direct a show that I really like directing, for the sake of winning an ego battle? It's totally not worth it. That stuff is so ephemeral.
Bruce McGill and Sasha Alexander are regulars on the show. That shows that it's not just a typical procedural show. We have these actors because they can come in and actually act, and show the different colors of actual people. No person is just one color. No person is just who they are at their job, 24/7. That was really what I was excited about.
In hockey, it was a freak show. I'm the son of actors and from California, and in Canada, hockey is a religion, so me coming in, it was like, 'Who the hell is this guy?' I just had to put my head down and work really hard, and it was difficult, but it made me who I am and gave me a backbone.
You want good ratings, you want people to like the show, you want to be appreciated for the hard work you put in. You don't always get it. Every show is not beloved.
A lot of writers want everything put on screen, but it doesn't work like that. The screenwriter brings her own imaginative interpretation, just as the director and actors do.
I work really hard on the shows and I think the shows speak for themselves. I don't want to construct the show to prove something.
I think doing shows with other R&B artists like myself brings the attention to the crowd. You can't just do those one artist shows anymore. I don't like just me being on the show.
I like to work and there's no movies for actors, period, especially black actors. When white actors are like, 'Man, there's no work out there,' then black actors are like, 'Are you kidding me?'
I just happen to like the work. I like preparing for a role. I like reading. I like analyzing. I like literature. I like emotions. I like working with other actors.
Just like any other job, you want a raise you've got to put in the work and you've got to show that you're deserving and what you bring to the table and all kinds of other stuff to show that you're worthy of so and so pay scale.
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