A Quote by Sam Shepard
Words are tools of imagery in motion.
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I think poetry bridges text and image. Poetry is visual in its imagery - but it requires close attention to words themselves. Words become jewels in poetry, while they are often tools in other genres.
Look inside your soul and find your tools. We all have tools and have to live with the help of them. I have two tools—my words and my images.
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
The words carry their own momentum. A confession in motion tends to stay in motion. Newton's first law of jealousy.
Words are the basic tools, if you are a writer. But why? Why do you choose one set of tools rather than another?
We make tools for people. Tools to create, tools to communicate. The age we're living in, these tools surprise you. ... That's why I love what we do. Because we make these tools, and we're constantly surprised with what people do with them.
One of the major symptoms of the general crisis existent in our world today is our lack of sensitivity to words. We use words as tools. We forget that words are a repository of the spirit. The tragedy of our times is that the vessels of the spirit are broken. We cannot approach the spirit unless we repair the vessels. Reverence for words - an awareness of the wonder of words, of the mystery of words - is an essential prerequisite for prayer. By the word of God the world was created.
Words are to be taken seriously. I try to take seriously acts of language. Words set things in motion. I've seen them doing it. Words set up atmospheres, electrical fields, charges.
When Galileo discovered he could use the tools of mathematics and mechanics to understand the motion of celestial bodies, he felt, in the words of one imminent researcher, that he had learned the language in which God recreated the universe. Today we are learning the language in which God created life. We are gaining ever more awe for the complexity, the beauty, the wonder of God's most devine and sacred gift.
Here I shall add that the concept of change, and with it the concept of motion, as change of place, is possible only through and in the representation of time. & Motion, for example, presupposes the perception of something movable. But space considered in itself contains nothing movable; consequently motion must be something which is found in space only through experience -in other words, is an empirical datum.
What's so important with fashion imagery and with imagery in general is that it ultimately evokes an emotion.
The really great gallerists have always been interested in imagery that is not that imagery.
Being an artist, you soak up imagery, and you put it back out in whatever form you do your own imagery.
My movies more often are told through pictures, not words. But in this case, the pictures took second position to the incredible words of Abraham Lincoln and his presence [...] I was less interested in an outpouring of imagery than in letting the most human moment of this story evolve before us.
Whatever is in motion must be put in motion by another. If that by which it is put in motion be itself put in motion, then this also must needs be put in motion by another, and that by another again. But this cannot go on to infinity, because then there would be no first mover, and, consequently, no other mover; seeing that subsequent movers move only inasmuch as they are put in motion by the first mover; as the staff moves only because it is put in motion by the hand. Therefore it is necessary to arrive at a first mover, put in motion by no other; and this everyone understands to be God.
The power of imagination is incredible. Often we see athletes achieving unbelievable results and wonder how they did it. One of the tools they use is visualization or mental imagery… they made the choice to create their destinies and visualized their achievements before they ultimately succeeded.
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