A Quote by Sam Taylor-Johnson
Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
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When I paint from a photograph, conscious thinking is eliminated. I don't know what I am doing. My work is far closer to the Informel than to any kind of 'realism'. The photograph has an abstraction of its own, which is not easy to see through.
One day the photograph is going to become even more important than it is now.... But I am not particularly an advocate of the photograph.
Polls are now even more meaningless than ever... there was the case of Ronnie O'Brien, the young footballer who incredibly found himself at Juventus, and even more incredibly found himself in the running to win an internet poll of the great club's greatest ever player. The curse ironically struck O'Brien a second time when he was at one point leading Time magazine's list of the Greatest People Of The 20th Century. The error in the polling was soon rectified and O'Brien, happily, is leading a highly successful career playing pro-football with FC Dallas in the American soccer league.
If you work with so many classical instruments... I mean, it still has this power, and it's still connected to the idea of techno. But it has its own quality, its own sound. It's in between, even more than the record before. You need to give every instrument, sound, and element the space it needs.
The detail of my art depends entirely on the project itself. I tend to be a little more detail-oriented with covers than I am with interior pages, and I try to reduce the detail on action sequences as opposed to suspense passages.
The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified. A painting of a murder is of no interest whatever; but a photograph of a murder fascinates everyone.
It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.
I get more ambitious every decade, and I am more ambitious today than ever before. I still love the game - and the thrill of the chase.
I want to wake up with you beside me in the mornings. I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms.
And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary.
And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary
I'm giddy. I am like an 8-year-old child, every day. I feel blessed for the opportunities. I feel blessed that people are responding to the work, and I'm landing myself in things that people far more talented than I am are allowing me to work on.
The idea of being part of this tapestry of humanity is a far more enlightening idea for me than believing you are going to this different place when you die. The magic of reality is far more potent.
I guess my choice of medium depends on how I want to interpret the idea. Sometimes the interpretation works best in a photograph, and then sometimes it works best in a drawing. But most often times, with the work, everything starts with the diorama with the photograph. Then I'm just filtering out ideas and images from the photograph and reinterpreting them in other mediums.
What you want will pull like a magnet. Here's the other part. What for? Purpose is stronger than object. It's the 'What for?' that's even more powerful than the object. And the more you can describe in detail to stir the emotion and the intellect and the spirit and the soul, then the more powerful the 'what for' is.
I am blessed for what I have, but I believed in it from the beginning. Today, the dream is the same: I still want to travel, I still want to entertain, and I most certainly still want to have fun.
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