A Quote by Sam Taylor-Johnson
You think, 'You hired me because I'm a creative artist with a vision. Don't try and knock it out of me.'
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And what if I never go of my own free will? Will you pitch me from some window so that I must fly or fall? Will you bolt all shutters after me? You had better, because I'll knock and knock and knock until I fall down dead. I'll have no wings that take me away from you.
& these haters try to knock me but they can't knock me off the hinges.
The Republican National Committee hired me, and they hired me because they wanted someone who could look members straight in the eye and tell them the truth.
No man can knock me out. I've been hitting my head with steel chairs in the WWE. I've never been knocked out in my life. And nobody can knock me out.
Film is definitely a director's medium. They're responsible for the look and everything, and you're a part of that process as an actor, and you try to contribute to the story. But I think it might sound a little pretentious for me to say I think of myself as an artist. I think of myself as a creative person.
I know the movies that I've liked, and I know the experience that they've given me, so the goal is always to try to create a movie that I would like myself and that would knock me out, challenge me or intrigue me in some way. That's been my criteria for figuring out what I want to do, or also when I'm writing something or creating a scene.
It's impossible for a creative artist to be either a Puritan or a Fascist, because both are a negation of the creative urge. The only things a creative artist can be opposed to are ugliness and injustice.
It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. I like when it's really organic, so I try to knock it out in one shot.
Harvey Publications hired me as a letterer, and they found out six seconds after I got the job that I couldn't letter. I still can't letter. So, they hired me to draw.
For me going solo meant freedom to collaborate and do whatever I feel I'm good at doing. For me it was really not ever expanding as an artist, developing everything from my songwriting to my singing to my mission statement to my vision. I've been so inspired by all the creative freedom that it brings that I have no complaints.
For me, I feel like God is intuition and an inner knowing. I think it's difficult to be successful without that because that's where you have to come from if you're really going to knock it out of the park. For me, it's more a sort of a universal energy.
The last reason I want to be hired is because of my gender. I want to be hired because you trust me, because of my potential, because you believe that I know basketball, and we go and we build from there.
When Complex hired me, originally I wasn't at First We Feast, I was just like a hired hand for Complex. They'd send me out to different events or they'd have people visiting the office and I'd do interviews with athletes, musicians, whoever.
I get hired as a writer or producer and I do the best I can to bring out that artist. If somebody calls you to do something, you go right for that vision and you're aware of that person's vibe. You're trying to get inside of them.
I always wanted to help people. I graduated from college and applied to a couple of police departments, Omaha and Denver, because I liked Denver a lot. It turns out they liked me and accepted me right away. I got hired both places, but I wanted to try fighting.
What happened was I began to eventually lose everything because cocaine had such a hold on me. I wouldn't show up to do things I had been hired to do - whether it was film for a video or do an ad for a magazine or something. I'd be out partying with cocaine. Eventually, I began to lose everything. So, I left California and went back to Alabama in an attempt to try to get my life together - but geographical location didn't necessarily help me because the real problem was in me.
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