A Quote by Sam Taylor-Johnson

I think I just love films where men have complete breakdowns. — © Sam Taylor-Johnson
I think I just love films where men have complete breakdowns.
Yeah, there were (defensive) breakdowns but there were also variables into having those breakdowns. I think a lot of the mistakes that we made are definitely preventable, but they're a lapse of mental awareness and that happens with fatigue. I'm not trying to make excuses. This is just the reality of the situation.
What will support any relationship is clear, complete and conscious conversations when upsets or breakdowns occur.
Breakdowns come, and breakdowns go.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
I grew up watching horror films from a very young age. My sister was never able to watch scary movies; I don't think she'll ever watch mine because she's just so bad at it. Its funny because I'm the complete opposite: I love to be scared. I love to have that fear before you go to bed, and you're like, 'Oh my God, please, nothing come out.'
The women we really love are the women who complete us, who have the qualities we can borrow and so become something nearer to whole men. Just as we complete them, of course; it’s not a one-way thing. Leola and I, when romance was stripped away, were too much alike; our strengths and weaknesses were too nearly the same. Together we would have doubled our gains and our losses, but that isn’t what love is.
I don't mean that creative people are somehow finer, or more sensitive, and thus have finer, more sensitive nervous breakdowns - you can save that horseshit for the Sylvia Plath worshipers. It's just that creative people have creative breakdowns.
I'd love to make films in England, and I tried to. I think there's a wealth of amazing talent and astonishing writing over here; there just seems to be more of a culture of developing films than actually making them.
I just don't think I'm special because I'm an actor and I never would. Of course I take what I do seriously because I love doing it, and I love being in films and making films, but I don't take myself seriously.
I love 'Titanic', I love 'Romeo & Juliet', those are my favourite films, and so it's crazy to think that people wouldn't connect with 'Feel Good', it's just a love story.
I confess I am a romantic. I love romance, and I think it's really fun and delicious and some of my favorite films are love stories. I think that you just get a chance to fall in love with the characters so much and you get to explore their lives so deeply.
I'm not interested in going to see films that massively overrepresent men over women. It's lik,e how much more have we got to say about this? Like men in war and dealing with their masculinity in conflict. I just think we've exhausted the landscape.
It's kind of hard get outside of your own frame of reference. To one degree or another, we all go through our breakdowns and we can recognize our lives as a path to awakening or not. We can take our breakdowns as a way to sensitize us or as an excuse to blind and dull ourselves.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
There are complete men and incomplete men. If you would be a complete man, put all of your soul's strength into all of your life's actions.
I enjoy making all kinds of films. I love action films, war films, period films, adventure films.
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