A Quote by Sam Wood

We went into this with the utmost respect for the source material, but we recognized the need for change. — © Sam Wood
We went into this with the utmost respect for the source material, but we recognized the need for change.
I hold the utmost respect and admiration for the coaches in this league, so to be recognized by my peers is an incredible honor.
Sadly, cinemas with film as the primary source are disappearing. We need to remain open to change. That does not require one to divorce the past but to respect and process both the present and the future.
I have a great respect for the academics who are working with the source material. My hat's off to them.
Movement, change, light, growth and decay are the lifeblood of nature, the energies that I I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the earth as my source. Nature is in a state of change and that change is the key to understanding. I want my art to be sensitive and alert to changes in material, season and weather. Each work grows, stays, decays. Process and decay are implicit. Transience in my work reflects what I find in nature.
You need, in order to run a country as diverse as ours, a prominently recognized news source.
We need to develop respect for our history, despite all of its flaws, and love for the Fatherland. We need to pay the utmost attention to our common moral values and consolidate Russian society on this basis. I think that this is an absolute priority.
I think all of us, politicians and churchmen, should do our utmost to change the society so that there would be no need for violence.
We don't need bigger cars or fancier clothes. We need self-respect, identity, community, love, variety, beauty, challenge and a purpose in living that is greater than material accumulation.
Earth is the material with the most potential because it is the original source material.
Now, you believe you are a material person dabbling with. But essentially, you are a spiritual being dabbling with the material world means you have started seeing life with utmost clarity. There are no more illusions about it. You see everything just the way it is.
Finding original source material is not easy, but when something special like 'Edge of Tomorrow' comes along, everybody recognized it. I wasn't swimming against the stream. Warner Brothers immediately supported it, Tom Cruise signed on instantly; Emily Blunt, who was our first choice, signed on immediately.
The only way to change the world is to change the main character of our story - the one we believe that we are. If we change the main character, if we respect ourselves, then just like magic, all the secondary characters will change. We can only give what we have, and if we don't respect ourselves, how can we respect others?
I will do a lot of research and create a lot of material for use in one painting. And then I go on discovering and working with a whole other range of material in another painting. I'm interested in a fairly comprehensive and orchestrated synthesis that might bring about a new situation consisting of this hidden material. I'm interested in hidden source material.
It's a funny thing, but it's often overlooked that I'm a huge devout lover of French cooking. I have the utmost respect for them, though they have lost their respect for me because they think the way I cook is nutty.
I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.
It's a challenge to turn a book series into a television series; you need to keep people on their toes, but you also want to be true to the source material.
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