A Quote by Samantha Akkineni

I have always wanted to work with Lingusamy, as he is a master of commercial cinema. I have always admired his etching of female characters. — © Samantha Akkineni
I have always wanted to work with Lingusamy, as he is a master of commercial cinema. I have always admired his etching of female characters.
Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.
There's a mixture of pride and self-loathing in Jewish female comedians that I've always admired and wanted to bring into Jinkx.
I have always admired the Russian cinema, their incisive storytelling, sharp camera work and brilliant acting in them. Indian filmmakers can learn a lot from it.
I've always wanted to work with Cameron Crowe. I've auditioned for him several times for various projects over the last ten years, and I've always admired the way he worked with me.
I'm trying to do work that makes meaning and sense to me and the audience. But I have no qualms. I'm always willing to be a part of commercial cinema.
I always wanted the flowiness that hip-hop artists had. I always admired how they rapped so fast, but I never wanted to rap; I wanted to sing the rap.
I was of the generation where most of the Disney princesses and female characters were not girls that I admired. They just weren't characters I looked up to and identified with.
I wanted to have very strong female characters. I just thought it was always the way the world should be.
I've admired Lawrence master from his choreographer days. I love how he experiments and makes it work. I like his attention to detail and the intrigue in his movies.
I've always preferred drag roles, because typically I get better costumes and I've always felt more connected with the female characters in my favorite shows than most of the male characters.
I have always admired him (Bergman), and I wish I could be an equally good filmmaker as he is, but it will never happen. His love for the cinema almost gives me a guilty conscience
I always found growing up that, even inspiring female characters or complex female characters in TV and film... I often found that their complexity was actually just another facet of their sexuality.
I thought Mia Hansen-Love was a true auteur, and I always wanted to work with her. Mia's empathy for her characters and her ability to use the language of cinema to communicate real human depth is extraordinary. She's a humanist.
I always liked acting in school and drama classes, but when people asked me what I wanted to be when I grew up, I always told them I wanted to be a singer. I didn't want to be a jack of all trades. I wanted to master one.
I always wanted to do good work, but not in order to buy big houses and big cars. I just wanted to be 'alright', to have enough money to be able to live on, to go to the cinema when I wanted to, and buy the books I wanted to read.
A farmer's horse is never lame, never unfit to go. Never throws out curbs, never breaks down before or behind. Like his master he is never showy. He does not paw and prance, and arch his neck, and bid the world admire his beauties...and when he is wanted, he can always do his work.
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