A Quote by Sanjay Leela Bhansali

When I make a film about a physically challenged person, I come away with so much. I learn to value what I have. My survival instinct sharpened after 'Black' and 'Guzaarish.'
I take nothing away from my existence in the 'hood, because it sharpened my instincts. We had a different way of living that developed our survival instincts, and I use those to this day when I make films. You can't buy that.
I’m the archetype of a disabled genius, or should I say a physically challenged genius, to be politically correct. At least I’m obviously physically challenged. Whether I’m a genius is more open to doubt.
[ Angel series] really taught me that acting is not just about being emotionally challenged. It's about being physically challenged. And I enjoyed both aspects of that.
Every time we interact with another person at work, we have a choice to make: do we try to claim as much value as we can, or contribute value without worrying about what we receive in return?
When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
Not too long after 'OITB' debuted, I was at NewFest and I saw 'Black Is Blue,' a short film by Cheryl Dunye about a Black trans man trying to make it in Oakland. It was the first time I could recall seeing a Black trans man on screen and this was in 2015.
Every story I do is about people. It's my survival instinct - one person, one story.
Sometimes when you make a film you can go away for three months and then come back and live your life. But this struck a much deeper chord. I don't have the ability yet to speak about it in an objective.
Film is very much about capturing the essence of things - if you feel it, and you've got the right person shooting it, it'll come across. Theater's a different animal; it's physically different and requires a different discipline. In the theater, you're mining the same material, constantly honing the same thing, executing it and keeping it alive and fresh.
We're told, often enough, that as a species we are poised on the edge of the abyss. It's possible that our puffed-up, prideful intelligence has outstripped our instinct for survival and the road back to safety has already been washed away. In which case there's nothing much to be done. If there is something to be done, then one thing is for sure: those who created the problem will not be the ones who come up with a solution.
Some people are physically or mentally challenged. I'm emotionally challenged!
Generosity is revolutionary, counter-instinctual. Our survival instinct is to care only for ourselves and our loved ones. But we can transform our relationship to that survival instinct by constantly asking ourselves, ‘How can I use my life’s energy to benefit all living beings?
I'm away so much I've had to learn to cook, and I find it relaxing after filming. I make stews and liver and bacon, and an Italian mate taught me how to make a mean puttanesca sauce.
You know what? As a black person, you see so much racism. Films are no different than the government, politics - it's everywhere. It's not exclusively film. It's infuriating to see it in film. But my being in film changes things.
I know that, physically, I'm a very demure-looking person. But I certainly have as much aggression or anger as the next person, and that's got to come out somehow. I'm lucky that I get to play music, and that it's not going to come out in some totally destructive way.
Toni Morrison is challenged regularly because she is a black author who writes about the real world. She speaks with so much knowledge about black issues she can't be accused of creating these (issues). People find these issues threatening.
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