A Quote by Sanjay Leela Bhansali
The first film that I saw of Shammi Kapoor was 'Bhramachari.' I instantly fell in love with the film and connected with Shammiji. His style was natural and unique.
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I remember Shammi Kapoor for his great sense of music. If he loved a song, he would go to any speaks of his obsession as an actor. He wanted everything according to his film's mood. His demise is a serious loss to the film industry. Personally, I have lost a friend, a protective elder brother, and someone who was full of love and warmth.
But since I did my first film with Shammi Kapoor ji, he is my favourite. I was very shy to face the camera. In my first few shots with Shammi chacha, I was very nervous. He was very patient with me and guided me in every shot.
Shammiji is said to be India's answer to Elvis Presley, but I say that Elvis Presley is America's answer to Shammi Kapoor. The mark of a good actor is the belief with which he gives a shot and Shammiji gave his each shot with a strong belief and that makes him a great actor of all times.
'Born Free' was the first film I ever saw. I just fell in love with the idea of people having that bond with a wild animal.
One would marvel on the screen the way Shammi Kapoor walked, Dilip Kumar cried, or seeing Dev Anand's style. And then, one day, you are in the same space with them. It's very unreal.
I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
My favorite film is "Meshes in the Afternoon," a short avant garde film directed by Maya Deren. This was the first film that I saw that was actually directed by a woman.
Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.
('Eraserhead') may seem like a dark film, but my father and I watch it, and all we do is laugh. It was Disneyland everyday on the set. That's when I fell in love with film.
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
I think it's very touching to see young people interested in what we did a long time ago. They don't say, 'Well, I saw this old film with you.' They say: 'I saw this wonderful film. I really love it.'
Silence Of The Lambs? is a ?fantastic? film. It's a horror film, and it's an incredibly well-told film that is about point of view in such a unique way. The way that film is shot, the way the eyelines are so close, if not directly into camera, betrays an intimacy with the characters and the audience.
I was all of 18, and in love with Shammi Kapoor while we were filming 'Brahmachari.' He wanted me to give up my career, but I wasn't ready. I had my family to look after.
A hero today must be Raj Kapoor, Sunil Dutt, Shammi Kapoor, Dev Anand, Dilip Kumar and Amitabh Bachchan rolled into one. These are the six hero slots in Hindi cinema and an actor must be able to play all if he wants a long innings.
I did a film that was similar to that world, which was Brotherly Love, and the audience fell in love with [my character] June. So to be honest, I remembered what I did in that movie and studied that film and my mannerisms while shooting in Philly.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
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