A Quote by Sanjay Leela Bhansali

Every time I read it, I realised 'Bajirao Mastani' must be made. It's such a powerful screenplay. — © Sanjay Leela Bhansali
Every time I read it, I realised 'Bajirao Mastani' must be made. It's such a powerful screenplay.
There was no fear of failure when I made 'Bajirao Mastani.'
With 'Bajirao Mastani,' we have created history.
I have one favourite song, and that's 'Aayat' from 'Bajirao Mastani.'
I had two good films: 'ABCD2' and 'Bajirao Mastani.'
When I finished 'Cocktail,' it took me a very long time to get out of Veronica's mindspace, behaviour, and zone. I had to reconnect with who I am. It is a similar story with 'Bajirao Mastani.' Some films demand that.
I believe in 'Black' as much as I believe in 'Bajirao Mastani.'
Mother, I am young. Mother, I am just eighteen. I am strong. I will work hard, Mother. But I do not want this child to grow up just to work hard. What must I do, mother, what must I do to make a different world for her? How do I start?" "The secret lies in the reading and the writing. You are able to read. Every day you must read one page from some good book to your child. Every day this must be until the child learns to read. Then she must read every day, I know this is the secret
To understand oneself requires patience, tolerant awareness; the self is a book of many volumes which you cannot read in a day, but when once you begin to read, you must read every word, every sentence, every paragraph for in them are the intimations of the whole. The beginning of it is the ending of it. If you know how to read, supreme wisdom is to be found.
Hollywood is a showman's paradise. But showmen make nothing; they exploit what someone else has made. The publisher and the play producer are showmen too; but they exploit what is already made. The showmen of Hollywood control the making - and thereby degrade it. For the basic art of motion pictures is the screenplay; it is fundamental, without it there is nothing. Everything derives from the screenplay, and most of that which derives is an applied skill which, however adept, is artistically not in the same class with the creation of a screenplay.
I'd read Shakespeare in school, translated into isiXhosa, and loved the stories, but I hadn't realised before I started reading the English text how powerful the language was - the great surging speeches Othello has.
If given a choice between investing in someone who has read REWORK or has an MBA, I’m investing in REWORK every time. A must read for every entrepreneur.
I read the 'New York Times', I read 'The Nation', I read 'Newsweek', I read 'Time Magazine', I read 'Politico', I read 'Mediaite'. This is what I do! I read every day, I have interests, I'm like everybody out there who's watching, who's out there watching, you know?
Yes, but another writer I read in high school who just knocked me out was Theodore Dreiser. I read An American Tragedy all in one weekend and couldn't put it down - I locked myself in my room. Now that was antithetical to every other book I was reading at the time because Dreiser really had no style, but it was powerful.
You cannot live in Los Angeles for any period of time without eventually trying to write a screenplay. It's like a flu bug that you catch ... Even the plumber has a screenplay in his truck.
I must have been five or six when I realised all the stuff I was writing made sense with what I was playing on the piano.
I have myself, for many years, made it a practice to read through the Bible once ever year.... My custom is, to read four to five chapters every morning immediately after rising from my bed. I employs about an hour of my time.
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