A Quote by Sara Blakely

I'd never worked in fashion or retail. I just needed an undergarment that didn't exist. — © Sara Blakely
I'd never worked in fashion or retail. I just needed an undergarment that didn't exist.
I have always been drawn to fashion from an aesthetic and consumer standpoint. I honestly never thought that I could take my business training and apply it here. I worked in retail and was into fashion. It was something I liked, and people trusted my opinion.
By selling directly to customers, real women, the brand is able to avoid significant retail mark-ups that typically exist in high end fashion.
I worked in fashion for ten years, and like anyone in the fashion industry, even if you leave, you never leave fashion behind.
There are people I've worked with who have never understood how fashion works. They keep saying they love fashion, yet they've never actually grasped that this isn't yoghurt or a piece of furniture - products in the purest sense of the term.
There are tons of people who are late to trends by nature and adopt a trend after it's no longer in fashion. They exist in mutual funds. They exist in clothes. They exist in cars. They exist in lifestyles.
I've worked everywhere. I worked in a warehouse packing surf supplies, a restaurant washing dishes, in retail, and I was a 'sandwich artist' at Subway.
I've never worked in a retail store, but I did sell shoes at Gimme Shoes in San Francisco, a job I was fired from.
I think Jive was just a shady label that they didn't want artists in the same room like, 'Hey, what you making?' Like I never worked with R. Kelly, I never worked with Q-Tip. I never worked with anybody that was on Jive. I never did a song with KRS-One.
I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for.
Nowadays, you don't need to live in a fashion capital of the world, have lots of money, or be able to shop during certain hours. With online retail, it's possible to browse and shop for fashion anytime of the day, from pretty much anywhere.
To make a bestseller, there are more customers than just your customers: Selling to the end-user is just one piece of the puzzle. In my case, I needed to first sell myself to the publisher to get marketing support and national retail distribution.
I've always worked from images that already exist in our culture, and I just tweak them - I photograph my vision/interpretation of things that already exist, and I take it to the extreme. And then I make paintings or videos.
I have children. I have a family to support. But I really could live in a one-room apartment, as long as the television worked. I never needed anything. Just a comfortable chair and I'm fine.
A lot was accomplished in my mixtape career. But I still needed a few things: I needed to be recognized. I need to have radio. I need to have a real retail machine that can get us where we need to get that.
My favorite type of photography - apart from fashion photography - is journalism, which in a way documents something that exists in a very precise moment, that didnt exist in a moment before and will not exist ever again. This has influenced my work a lot - I usually try to make my images look like they just exist, like no effort was put into it.
Photography really is all about lines, and so is clothing. I worked for Oberto Gili for a couple of years after I was at ICP; we worked in fashion, travel, interior design, everything. I was inspired by his styling choices within fashion photography, and I think those experiences helped steer me towards fashion design. I love photography as a medium, so I think I will always take inspiration from it.
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